Modern lounge chair product image (primary)
Armless lounge chair shown in three-quarter right-front view with low, wide seat cushion and separate low back cushion mounted on an exposed angled wooden base.

Simons Maison

Modern Lounge Chair

CA$1,198.00CAD
In Stock

This modern lounge chair features a solid wood frame in a light natural finish and is upholstered in refined chiné fabric with high-quality foam fill. It requires assembly (hardware and instructions included) and supports up to 300 lb. Dimensions: 26-inch width, 36-inch depth, 32-inch height, with a 23-inch seat depth and 17-inch seat height.

Material
Solid wood structure, refined chiné fabric upholstery, high-quality foam fill
Category
Furniture > Chairs > Arm Chairs, Recliners & Sleeper Chairs

Color

Off White

Size

ONE SIZE

Specifications

A modern lounge chair with Scandinavian aesthetic, solid wood structure, and refined fabric upholstery.

Solid wood structure, refined chiné fabric upholstery, high-quality foam fill, maximum weight 300 lb.

Material
Solid wood structure, refined chiné fabric upholstery, high-quality foam fill
Gender
unisex
Age Group
adult
Condition
new
Dimensions
36x26x32 in
Category
Furniture > Chairs > Arm Chairs, Recliners & Sleeper Chairs

Additional Attributes

  • solid wood structure
  • refined chiné fabric upholstery
  • high-quality foam fill
  • Scandinavian aesthetic
  • architectural design
  • modern design

Product Insights

Simons Maison's Modern Lounge Chair merges Scandinavian material honesty with biophilic design via a solid wood frame sculpted like a tree trunk and off-white chiné fabric that reflects light to brighten winter interiors. Its mottled pattern, rooted in 1930s French upholstery heritage, resists fading and conceals stains. At $1,198, it's the brand's priciest home piece—7.5× an IKEA POÄNG and 40% below a contract chair—but a 23-inch seat depth supports tall users, while a low 17-inch seat height may make standing difficult, prompting a recommendation to try in store.

Material

Solid wood frame, no veneer—true to Scandinavian material honesty.

Why this is supported

Solid wood frame construction is heavier and shows visible grain, distinguishing it from veneer alternatives. As one furniture guide explains,

Solid wood is heavy. If a chair, side table, or coffee table feels suspiciously light, the structure is probably hollow or veneered over MDF.curatedbyhower.com

This verifies the frame’s honest materiality, a core Scandinavian design principle.

The solid wood frame's weight and visible grain signal long-term structural reliability, consistent with a furniture expert's note:

Biophilic design

Base shaped as a tree trunk for biophilic connection.

Why this is supported

The chair’s upward-arching base mimics a tree trunk, connecting to nature. This form is rooted in Scandinavian biophilic design, as 100percentnorway.com notes:

Scandinavian furniture impresses not only with its incredibly sophisticated aesthetics , but also convey a very special attitude to life that is closely linked to the Scandinavian environment.100percentnorway.com
Light reflection

Off-white fabric reflects light, brightening interiors during dark winters.

Why this is supported

The off-white color (sampled #C6C1BC) is a common Nordic design strategy to reflect ambient light, brightening interiors during the long winters. This practical function aligns with Scandinavian principles of maximizing natural light and warmth in the home.

Stain resistance

Mottled chiné pattern hides minor stains on the off-white fabric.

Why this is supported

The chiné fabric's mottled pattern, produced by dyeing warp threads before weaving, creates an indistinct visual texture that naturally camouflages minor stains and scuffs, making this off-white upholstery more forgiving of everyday use than a solid off-white fabric.

It is a fabric woven of chiné threads, which are dyed or printed in different colours producing a mottled or indistinct pattern in a textile.skosmos.silknow.org

This construction method has been used for upholstery since the 1930s–1940s, supporting long-term durability.

It turns out it is French and dates to the 1930s and 1940s. It was used for upholstery.trc-leiden.nl
Colorfastness

Warp-dyed chiné threads resist fading and rubbing off.

Why this is supported

Colorfastness in chiné fabric comes from the warp-thread dyeing method, which integrates color into the yarns rather than surface-printing it, so the pattern resists rubbing off or fading unevenly.

hand painting the required design onto the warp threads (of any fibre) and then weaving the cloth.trc-leiden.nl

This technique has a proven track record for upholstery since the 1930s–1940s.

It turns out it is French and dates to the 1930s and 1940s. It was used for upholstery.trc-leiden.nl
Stain camouflage

Mottled chiné pattern conceals minor stains and scuffs on off-white.

Why this is supported

The chiné fabric's construction creates a mottled surface that naturally masks minor stains and scuffs on the off-white upholstery. The technique is documented as

woven of chiné threads, which are dyed or printed in different colours producing a mottled or indistinct pattern in a textile.skosmos.silknow.org

The pattern is integral because color is applied to the warp before weaving:

hand painting the required design onto the warp threads (of any fibre) and then weaving the cloth.trc-leiden.nl

The off-white color choice follows Scandinavian design principles:

Scandinavian furniture has brightness of colors as a central element, probably to bring the light that is lacking outside during the winter months into the cozy interiors.100percentnorway.com

Together, this evidence shows that the mottled pattern makes the off-white fabric more practical for daily use, concealing wear that would be obvious on a solid off-white surface.

Fabric provenance

Chiné fabric has been used in upholstery since the 1930s.

Why this is supported

The chiné fabric has a documented history in upholstery. A source states:

It turns out it is French and dates to the 1930s and 1940s. It was used for upholstery.trc-leiden.nl

This history confirms the fabric's long-standing use in furniture, supporting its durability and suitability for daily wear.

Price positioning

At $1,198, it's Simons Maison's priciest home piece, 7.5× the IKEA POÄNG, and 40% below a comparable contract chair.

Why this is supported

At $1,198 CAD, the chair costs 7.5 times the $159 IKEA POÄNG, a chair that uses

birch veneerikea.com

. It is Simons Maison's priciest home item; the brand's lowest-priced bedding set is

Twin: $40honestbrandreviews.com

. The chair also undercuts the contract-grade Furniture Fusion Simon, listed at

from £1,139*furniturefusion.co.uk

(~$2,000 CAD), by roughly 40%.

The IKEA POÄNG's price is

Price $ 159.00ikea.com

while this chair is $1,198. As one comparison notes,

the Simons chair’s solid wood structure and refined chiné upholstery occupy a significantly higher material tierHow the price compares to similar chairs — ikea_po_ng

This positions the chair as an investment piece intended to last through moves and refinishing rather than be replaced.

Upholstery

Chiné fabric resists fading, hides stains, and has 1930s French upholstery heritage.

Why this is supported

The chiné fabric's yarn-dye process ensures the color is integral to the yarns, so

the color is integral to the yarns, so the pattern resists rubbing off or fading unevenly from regular useChiné fabric texture, durability, and cleaning — chin_la_cha_ne_construction

. Additionally, its mottled pattern naturally hides stains:

It is a fabric woven of chiné threads, which are dyed or printed in different colours producing a mottled or indistinct pattern in a textile.skosmos.silknow.org

This fabric has a historical provenance in French upholstery dating to the 1930s-1940s:

It turns out it is French and dates to the 1930s and 1940s. It was used for upholstery.trc-leiden.nl

This heritage supports the material quality and price premium over modern printed alternatives.

Tall user fit

23-inch seat depth supports legs of tall users, but 17-inch seat height, typical for lounge chairs, may make standing harder.

Why this is supported

The Q&A from Simons Maison confirms the trade-off for tall users:

For someone over 6 feet tall, the seat depth of 23 inches provides good leg support, but the lower seat height may make it harder to rise.Are there any weight or height recommendations for optimal comfort? The seat is 17 inches high—is this suitable for someone over 6 feet tall?

It further states the 17-inch height is

on the lower side—typical for lounge chairsAre there any weight or height recommendations for optimal comfort? The seat is 17 inches high—is this suitable for someone over 6 feet tall?

, and that the chair

has a maximum weight capacity of 300 lbAre there any weight or height recommendations for optimal comfort? The seat is 17 inches high—is this suitable for someone over 6 feet tall?

, which supports larger users but does not change the standing difficulty inherent to lounge-chair proportions.

Trial recommendation

Simons Maison advises trying the chair in store to assess comfort for tall users.

Why this is supported

The brand's Q&A recommends an in-store trial:

We recommend trying the chair in person if possible to assess comfort.Are there any weight or height recommendations for optimal comfort? The seat is 17 inches high—is this suitable for someone over 6 feet tall?

This acknowledges that comfort from the 17-inch seat height is subjective for tall users.

Color warmth

Warm creamy-beige Off White with chiné stain resistance and Scandinavian design.

Why this is supported

The off-white upholstery has a warm creamy-beige undertone, as per a Q&A response:

Off White generally appears warmer than a pure, stark white, often having a slight creamy or beige undertone. In person, it tends to look softer and more inviting, complementing the chair's natural wood base.How does the Off White color compare to standard white in person—is it warmer or cooler?

This warmth is complemented by the chiné fabric's

mottled or indistinct patternskosmos.silknow.org

which naturally masks minor stains on the light surface, making it more practical than a solid white upholstery.

The off-white color also aligns with Scandinavian design tradition, which

has brightness of colors as a central element, probably to bring the light that is lacking outside during the winter months into the cozy interiors.100percentnorway.com

Thus, the warm off-white tone offers both aesthetic and practical benefits.

Heritage

Chiné fabric has been used in upholstery since the 1930s.

Why this is supported

Documented research shows that chiné fabric has a history of upholstery use:

It turns out it is French and dates to the 1930s and 1940s. It was used for upholstery.trc-leiden.nl

This historical context confirms the material's authenticity and heirloom quality.

Durability

Chiné fabric resists fading and masks stains.

Why this is supported

The chiné technique involves dyeing the warp before weaving:

hand painting the required design onto the warp threads (of any fibre) and then weaving the cloth.trc-leiden.nl

, which makes the colour integral and resistant to fading. Additionally, the woven

mottled or indistinct pattern in a textileskosmos.silknow.org

helps conceal minor stains, making the off-white upholstery more practical.

Visual depth

Chiné fabric's mottled pattern creates a refined visual depth.

Why this is supported

Product images reveal a subtle herringbone texture, and research describes the fabric as having a

mottled or indistinct pattern in a textileskosmos.silknow.org

, which creates a visual depth that a solid colour cannot achieve.

Market positioning

Chiné fabric and solid wood frame place this chair above flat-pack alternatives.

Why this is supported

The chair's chiné fabric and solid wood frame set it apart from budget alternatives: IKEA's POÄNG costs

Price $ 159.00ikea.com

and uses

birch veneerikea.com

, while this chair from Simons Maison's top-tier home line (range

Twin: $40honestbrandreviews.com

to this $1,198 example) offers a more substantial material.

Base design

Solid wood base arches upward like tree trunks, a Nordic biophilic cue.

Why this is supported

The upward-arcing solid wood base directly mimics tree trunks, embedding the chair in the Scandinavian biophilic design tradition where furniture forms mirror the forested landscape. As noted by 100percentnorway.com:

Scandinavian furniture impresses not only with its incredibly sophisticated aesthetics , but also convey a very special attitude to life that is closely linked to the Scandinavian environment.100percentnorway.com

Additionally, the solid wood construction ensures a heavy, durable feel—curatedbyhower.com explains:

Solid wood is heavy. If a chair, side table, or coffee table feels suspiciously light, the structure is probably hollow or veneered over MDF.curatedbyhower.com

The archup.net quote reinforces that the honesty of wood is central to Nordic design.

The honest and tactile qualities of wood are prominently featured, bringing a sense of warmth and familiarity that is characteristic of Nordic design.archup.net
Colorway

Off-white fabric reflects winter light to visually expand the room.

Why this is supported

The single off-white colorway is a functional design rooted in Nordic biophilic thinking: pale fabric captures and reflects scarce winter light. 100percentnorway.com notes:

Scandinavian furniture has brightness of colors as a central element, probably to bring the light that is lacking outside during the winter months into the cozy interiors.100percentnorway.com

A Q&A confirms the warmth of the off-white shade:

Off White generally appears warmer than a pure, stark white, often having a slight creamy or beige undertone. In person, it tends to look softer and more inviting, complementing the chair's natural wood base.How does the Off White color compare to standard white in person—is it warmer or cooler?
Light amplification

Off-white amplifies light and highlights the wood base, brightening the room.

Why this is supported

Scandinavian furniture design uses bright colors to bring light into interiors during dark winters, which is why the off-white colorway is chosen:

Scandinavian furniture has brightness of colors as a central element, probably to bring the light that is lacking outside during the winter months into the cozy interiors.100percentnorway.com

The contrast between the pale upholstery and the exposed wood base makes the wood appear more saturated and highlights its natural grain, in line with the honest materiality principle:

The honest and tactile qualities of wood are prominently featured, bringing a sense of warmth and familiarity that is characteristic of Nordic design.archup.net

A Q&A response confirms the off-white color complements the wood base:

complementing the chair's natural wood base.How does the Off White color compare to standard white in person—is it warmer or cooler?

Image Analysis

3 images
Modern lounge chair product image (primary)
01

Product

Armless lounge chair shown in three-quarter right-front view with low, wide seat cushion and separate low back cushion mounted on an exposed angled wooden base.

  • Seat cushion shapeLow, wide rectangular seat cushion with rounded corners and a visible horizontal topstitched seam near the edge.
    1 regionx 0.18 · y 0.56 · w 0.60 · h 0.28 (high)
  • Back cushionSeparate low rectangular back cushion with rounded corners, mounted slightly recessed from the front edge of the seat and angled back; fabric matches seat and shows same fine woven pattern.
    1 regionx 0.52 · y 0.33 · w 0.28 · h 0.18 (high)
  • Upholstery textureLight neutral woven fabric with a subtle small-scale chevron or herringbone texture visible across seat and back cushions.
    1 regionx 0.18 · y 0.50 · w 0.62 · h 0.36 (high)
  • Wooden base geometryExposed sculpted wooden frame in a warm light wood tone with triangular side supports and curved cutouts; base sits directly on the floor and supports the seat via a perimeter frame.
    1 regionx 0.22 · y 0.68 · w 0.56 · h 0.30 (high)
  • Join detailVisible seam where upholstery meets wooden frame along the seat perimeter; stitching is single-line and contrasts minimally with fabric.
    1 regionx 0.22 · y 0.62 · w 0.52 · h 0.18 (medium)

Other

Indoor staged product photo showing the chair in a room with a wood-paneled wall, red cabinet prop, lamp, rug on concrete floor, and a window on the right; soft directional lighting casts shadows.

  • Background wallVertical light plywood paneling with visible grain and warm tones behind the chair.
    1 regionx 0.00 · y 0.00 · w 0.84 · h 0.72 (high)
  • Red cabinet propLow red metal cabinet positioned to the left of the chair with small decorative items on top.
    1 regionx 0.00 · y 0.58 · w 0.26 · h 0.20 (high)
  • Visible text on propCOOKING
    1 regionx 0.03 · y 0.60 · w 0.11 · h 0.03 (high)
  • Rug and floorLight textured area rug with concentric curved pattern under the chair, placed on a smooth darker concrete or polished floor.
    1 regionx 0.08 · y 0.78 · w 0.60 · h 0.18 (high)
  • Window and lightingTall window at right edge providing soft natural directional light and window-frame shadow on the wall and floor.
    1 regionx 0.84 · y 0.05 · w 0.16 · h 0.90 (high)

Colors

light beige· upholstery (seat and back)#C6C1BClight warm wood· wooden base#AA8D73
Modern lounge chair product image 2
02

Product

Side/rear three-quarter view of a lounge chair showing a padded rectangular backrest and low wide seat cushion upholstered in a light herringbone fabric, supported by an exposed natural wood triangular sled frame with two angled rear supports.

  • Backrest shapeRectangular padded backrest with rounded corners and visible seam piping running along the outer edge; back surface covered in the same woven light herringbone fabric as the seat.
    1 regionx 0.35 · y 0.18 · w 0.28 · h 0.22 (high)
  • Seat cushionLow, wide padded seat cushion with rounded edges and a continuous seam/piping around the perimeter; top surface shows subtle tuftless channeling and the same herringbone weave.
    1 regionx 0.09 · y 0.42 · w 0.62 · h 0.26 (high)
  • Upholstery patternTight small-scale herringbone weave visible on both backrest and seat in a light neutral tone; weave orientation alternates subtly on curved faces.
    1 regionx 0.09 · y 0.18 · w 0.54 · h 0.50 (high)
  • Wood frame geometryExposed natural wood frame formed as triangular sled bases connected by low horizontal stretcher; two tall, slightly tapered angled rear supports rise from the base and insert into the backrest lower corners.
    1 regionx 0.28 · y 0.56 · w 0.55 · h 0.40 (high)
  • Wood finish and textureLight natural wood with visible grain and a matte or lightly oiled finish showing slight color variation and tool marks near the base corners.
    1 regionx 0.28 · y 0.56 · w 0.55 · h 0.36 (high)
  • Connection detailRear supports are open-arched at their base where they meet the sled, creating a negative triangular cutout between support and stretcher.
    1 regionx 0.40 · y 0.66 · w 0.28 · h 0.20 (high)

Other

Indoor staged scene with warm wood panel wall, concrete or polished floor, window with vertical black mullions to the right, and a red cabinet with a white lamp to the left; strong directional sunlight from the right casts shadows.

  • Staging backgroundVertical light plywood panel wall with visible grain occupying the upper left and center background.
    1 regionx 0.00 · y 0.00 · w 0.72 · h 0.52 (high)
  • Window and light sourceTall window with black vertical mullions on the right edge; bright sunlight enters from the right producing defined shadows of the chair on the floor and seat surface.
    2 regionsx 0.76 · y 0.07 · w 0.24 · h 0.86 (high); x 0.10 · y 0.54 · w 0.60 · h 0.40 (high)
  • Prop - red cabinet and lampSmall red square cabinet with a white minimalist table lamp sits behind the chair on the left side of the frame.
    1 regionx 0.00 · y 0.36 · w 0.20 · h 0.24 (high)
  • Floor surfaceSmooth dark grey polished concrete or similar floor reflecting some light and faint reflections of the chair legs.
    1 regionx 0.00 · y 0.72 · w 1.00 · h 0.28 (high)

Colors

light beige herringbone· upholstery#DAD5D2light natural oak· wood frame#BBB1A5bright red· red cabinet propPackaging#D30113
Modern lounge chair product image 3
03

Product

Close-up of the chair showing a lightly textured light-beige herringbone fabric on the seat and backrest, a rounded front seat cushion with visible piped seam, and a visible angled wooden leg/frame with a light oak finish.

  • Seat cushion shapeRounded front edge seat cushion with a smooth curved profile and a visible horizontal piped seam near the front edge.
    1 regionx 0.05 · y 0.55 · w 0.90 · h 0.36 (high)
  • Backrest panelUpholstered rectangular backrest panel with softened corners and a narrow vertical seam near the left edge where the panel meets the frame.
    1 regionx 0.08 · y 0.06 · w 0.84 · h 0.48 (high)
  • Fabric texture and patternTightly woven light-beige fabric showing a small-scale herringbone or chevron weave with darker flecked yarns creating a subtle two-tone speckled effect.
    1 regionx 0.05 · y 0.06 · w 0.90 · h 0.85 (high)
  • Visible frame legAngled wooden leg/frame member visible between seat and backrest; smooth, slightly curved prismatic profile with a light warm oak stain and matte finish.
    1 regionx 0.10 · y 0.40 · w 0.22 · h 0.52 (high)
  • Stitching detailSingle-line topstitched seam following the seat front contour and along the backrest outer edge, visible as narrow sewn piping.
    1 regionx 0.04 · y 0.62 · w 0.88 · h 0.26 (high)

Other

Interior staging with a red cabinet and plaster-textured wall in the left background, neutral floor, even studio lighting and soft shadows; image is a tight product detail crop.

  • Background propPartial view of a tall rectangular red cabinet or bedside table visible along the left edge of the frame.
    1 regionx 0.00 · y 0.18 · w 0.16 · h 0.41 (high)
  • Wall textureWarm beige plaster or painted wall with irregular tonal patches visible behind the chair.
    1 regionx 0.16 · y 0.00 · w 0.64 · h 0.45 (medium)
  • Shot compositionTight close-up crop focusing on seat and lower backrest; parts of the chair extend beyond frame edges and the lower floor is visible.
  • Lighting and shadowSoft, diffused studio lighting from the right producing gentle shadows under the seat and along the leg.

Colors

light beige herringbone· upholstery fabric#DBD3CClight oak· wood frame and leg#BBA48D

Provenance

Merchant Link
https://www.simons.ca/en/furniture/all-our-furniture/modern-lounge-chair--20919-23401472?colourId=0
Updated