Vera geometric sunglasses product image (primary)
Thick glossy geometric sunglasses frame with wide temples, integrated bridge and pale yellow lenses. White brand wordmark printed on the outer right temple.

Otra

Vera Geometric Sunglasses

CA$105.00CAD
In Stock

The Vera geometric sunglasses from Otra feature a glossy black plastic frame, pale yellow lenses, and offer 100% UV protection. Designed for daily wear, they have a lightweight, comfortable fit with dimensions of 50 mm eye width, 22 mm bridge, and 144 mm temples, and include a signature storage pouch.

Material
plastic frames
Style
modern, minimalist
Category
Apparel & Accessories > Clothing Accessories > Sunglasses

Color

Black

Size

ONE SIZE

Specifications

Geometric-shaped lightweight sunglasses with 100% UV protection and a signature storage pouch.

Lightweight plastic frames, 100% UV protection, includes signature storage pouch.

Material
plastic frames
Style
modern, minimalist
Occasion
casual
Gender
male
Age Group
adult
Condition
new
Category
Apparel & Accessories > Clothing Accessories > Sunglasses

Additional Attributes

  • lightweight plastic frames
  • 100% UV protection
  • signature storage pouch included
  • geometric-shaped frames
  • Otra collection at Simons

Product Insights

The Vera Geometric Sunglasses by Otra combine a 90s minimalist design with a lightweight plastic construction that reduces nose-bridge fatigue, making them suitable for all-day wear. The 50mm geometric lens shapes flatter oval, round, square, and heart-shaped faces, shifting emphasis from scale to shape. However, the 143.4mm total frame width is best suited for wide faces, as narrow faces may feel loose. The black colorway further simplifies the visual impact, letting the geometric shape stand out in monochrome outfits.

Design

Angular cut references 90s minimalist eyewear from Cutler & Gross and Oliver Peoples.

Why this is supported

The Vera's angular polygonal cut

instead channeling the flat-top, rigid geometry that defined 90s minimalist eyewear from brands like Cutler and Gross and early Oliver PeoplesThe geometric shape and minimalist aesthetic — geometric_silhouette

. This shape references the anti-maximalist movement where

designers like Helmut Lang and Jil Sander used stark geometries to strip fashion back to pure silhouetteThe geometric shape and minimalist aesthetic — 90s_minimalist_lineage

. The design

deliberately rejects the rounded curves of classic WayfarersThe geometric shape and minimalist aesthetic — geometric_silhouette

, and the

singular black colorway removes all visual noise, forcing the geometric contour to carry the entire designThe geometric shape and minimalist aesthetic — monochromatic_black_finish

. At 50mm, it avoids oversized proportions, keeping the shape reserved.

Construction

Lightweight injection-molded plastic reduces nose-bridge fatigue from heavy acetate frames.

Why this is supported

The frame uses lightweight injection-molded plastic rather than slab-cut acetate, reducing weight and avoiding nose-bridge fatigue typical of heavy designer geometric frames.

The frame is made of lightweight injection-molded plastic instead of slab-cut acetate, which

Choosing lightweight injection-molded plastic over slab-cut acetate keeps the profile thin and the weight below that of typical acetate geometric framesThe geometric shape and minimalist aesthetic — lightweight_plastic_vs_acetate

. This thin profile prevents chunkiness and temple pressure. On square faces, the lightweight construction

the lightweight plastic frame avoids adding visual weightFlattering face shapes for geometric frames — square_face_structure

. The singular black colorway forces the geometric contour to carry the design, and the material choice ensures the shape isn't undermined by heavy bulk, as noted:

The singular black colorway removes all visual noise, forcing the geometric contour to carry the entire designThe geometric shape and minimalist aesthetic — monochromatic_black_finish
Face shape

50mm geometric shape flatters oval, round, square, and heart-shaped faces.

Why this is supported

The Vera's geometric shape and 50mm lens width are designed to complement multiple face shapes.

the geometric shape's crisp angles add definition without overwhelmingFlattering face shapes for geometric frames — oval_face_harmony

for oval faces, and

Geometric frames like the Vera introduce the straight horizontal lines and angular corners that a round face typically lacksFlattering face shapes for geometric frames — round_face_contrast

for round faces. Similarly, it echoes strong jawlines for square faces and balances broader foreheads for heart-shaped faces.

Face shapes

Geometric frame flatters oval, round, square, and heart-shaped faces.

Why this is supported

The Vera’s geometric design is reported to

preserve the natural proportions of an oval face, and the geometric shape's crisp angles add definition without overwhelmingFlattering face shapes for geometric frames — oval_face_harmony

for oval faces, and to

introduce the straight horizontal lines and angular corners that a round face typically lacksFlattering face shapes for geometric frames — round_face_contrast

for round faces. On square faces, it can

echo strong jawlines, producing an intentional, fashion-forward angularityFlattering face shapes for geometric frames — square_face_structure

while on heart-shaped faces it can

mirror the broader forehead of a heart-shaped face while drawing the eye upwardFlattering face shapes for geometric frames — heart_shaped_face_balance

. Collectively, these insights support the claim that the frame is flattering for these four face shapes.

Comfort

Lightweight plastic frame reduces nose-bridge fatigue during all-day wear.

Why this is supported

The injection-molded plastic construction

keeps the profile thin and the weight below that of typical acetate geometric frames, which means the Vera can be worn all day without the nose-bridge fatigueThe geometric shape and minimalist aesthetic — lightweight_plastic_vs_acetate

, providing a practical comfort benefit for any face shape.

Frame width

Total width 143.4 mm fits wide faces; narrow faces may feel loose

Why this is supported

This frame has a total width of 143.4 mm, classified as medium-to-large.

The total frame width is 143.4 mm (about 5.65 inches). This is a medium-to-large width, so it will fit wider faces more comfortably; those with narrow faces may find it slightly loose.What is the total width of the frame? Will it fit a wide or narrow face?

The thick temples contribute to this width, giving it a larger visual footprint than the 50 mm lens suggests. The frame is available only in ONE SIZE, so buyers must match this exact measurement. The lightweight injection-molded plastic construction reduces overall weight, which helps mitigate sliding on narrow faces.

Proportion

Compact 50mm geometric lens shifts emphasis from scale to shape.

Why this is supported

The Vera's 50mm lens width is deliberately compact, shifting the design emphasis from scale to shape.

At 50mm wide, the geometric lens avoids the oversized, bug-eye silhouette common in 70s revivals, sitting closer to the eye for a more reserved, proportional look that reinforces the minimalist intent — it makes a statement through shape, not scale.The geometric shape and minimalist aesthetic — compact_50mm_lens_width

This design aligns with 1990s minimalist references, and the angular cut deliberately rejects the rounded curves of classic Wayfarers.

Fit

50mm lens width and 143.4mm total frame: medium-to-large fit, best for wide faces.

Why this is supported
The total frame width is 143.4 mm (about 5.65 inches). This is a medium-to-large width, so it will fit wider faces more comfortably; those with narrow faces may find it slightly loose.What is the total width of the frame? Will it fit a wide or narrow face?

The 50mm lens width itself complements various face shapes: on oval faces medium-sized frames preserve natural proportions, on round faces the compact width creates a lengthening effect, on square faces the lightweight frame avoids visual weight, and on heart-shaped faces the shape draws attention upward.

Color styling

Black colorway removes visual noise, letting the shape statement prevail.

Why this is supported
The singular black colorway removes all visual noise, forcing the geometric contour to carry the entire design — this is a full commitment to shape language, making the Vera an ideal anchor for monochrome and tonal outfits where texture and silhouette take precedence.The geometric shape and minimalist aesthetic — monochromatic_black_finish
Monochrome styling

All-black geometric frame anchors monochrome outfits with shape, not color.

Why this is supported

The Vera's all-black construction forces the geometric contour to carry the entire design, making it an ideal anchor for monochrome outfits where texture and silhouette take precedence.

The singular black colorway removes all visual noise, forcing the geometric contour to carry the entire design — this is a full commitment to shape language, making the Vera an ideal anchor for monochrome and tonal outfits where texture and silhouette take precedence.The geometric shape and minimalist aesthetic — monochromatic_black_finish

The compact 50mm lens width avoids oversized proportions, so

it makes a statement through shape, not scale.The geometric shape and minimalist aesthetic — compact_50mm_lens_width

The angular polygonal cut deliberately rejects rounded curves, channeling 90s minimalist eyewear.

deliberately rejects the rounded curves of classic Wayfarers, instead channeling the flat-top, rigid geometry that defined 90s minimalist eyewear from brands like Cutler and Gross and early Oliver Peoples.The geometric shape and minimalist aesthetic — geometric_silhouette

This editorial edge is reinforced by the Vera's clean construction and modern minimalist ethos, echoing the 1990s anti-maximalist movement.

Otra's own 'modern, minimalist' tags and the Vera's clean construction echo the 1990s anti-maximalist movement, when designers like Helmut Lang and Jil Sander used stark geometries to strip fashion back to pure silhouette — a reference point that gives these sunglasses an editorial, era-conscious edge.The geometric shape and minimalist aesthetic — 90s_minimalist_lineage

Together, these elements make the Vera a natural partner for monochrome tailoring and architectural silhouettes.

Image Analysis

1 images
Vera geometric sunglasses product image (primary)
01

Product

Thick glossy geometric sunglasses frame with wide temples, integrated bridge and pale yellow lenses. White brand wordmark printed on the outer right temple.

  • Frame shapeThick geometric front with faceted, almost octagonal perimeter and slightly angled outer corners; frame surrounds both lenses in a continuous single-piece front.
    1 regionx 0.06 · y 0.43 · w 0.58 · h 0.30 (high)
  • Material and finishGlossy solid plastic or acetate appearance on the entire visible frame and temples with reflective highlights along edges.
    1 regionx 0.05 · y 0.40 · w 0.75 · h 0.40 (medium)
  • Bridge and nose areaIntegrated molded bridge with gentle inward curve and no separate nose pads visible; bridge is same glossy material as the frame.
    1 regionx 0.26 · y 0.52 · w 0.12 · h 0.10 (high)
  • TemplesWide, straight temple arms that taper slightly toward the curved tips; right temple (viewer left) is visible showing outer flat surface.
    1 regionx 0.50 · y 0.50 · w 0.42 · h 0.28 (high)
  • Lens colorLenses are a pale yellow tint with even coloration across both lenses.
    2 regionsx 0.11 · y 0.52 · w 0.22 · h 0.20 (high); x 0.33 · y 0.53 · w 0.22 · h 0.19 (high)
  • Brand wordmarkWhite uppercase word 'OTRA' printed on the outer face of the right temple.
    1 regionx 0.58 · y 0.57 · w 0.12 · h 0.10 (high)
  • Hinges and temple joinTemple meets the front with a visible straight right-angle joint; hinge area is flush with the temple and not protruding.
    1 regionx 0.46 · y 0.49 · w 0.10 · h 0.12 (medium)

Other

Three-quarter front-right studio shot on a uniform light gray background with soft shadows; slight perspective shows left temple receding into background.

  • Shot compositionThree-quarter perspective from front-right showing both lenses, full front and most of both temples laid on a flat surface.
  • Background and surfaceEven light gray seamless background and surface with a soft shadow cast beneath and slightly to the right of the sunglasses.
  • LightingSoft diffuse lighting producing mild reflections on glossy frame edges and minimal harsh highlights.
  • Image qualitySharp, high-resolution product image with clear edge detail and readable logo.

Colors

glossy black· frame and templespale yellow· lenses#CDC9A5white· temple wordmark#ECECEC

Provenance

Merchant Link
https://www.simons.ca/en/men-accessories/sunglasses/brand-name-glasses/vera-geometric-sunglasses--16180-26101?colourId=0
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