Paper Collective
Ritmo 02 Art Print See Available Sizes
Ritmo 02 is a fine-art print by Mexican artist Berenice Hernandez, published by Paper Collective, featuring abstract intertwined forms in green, violet, rose, yellow, and beige. It is jet-printed in 12 colors on responsibly sourced matte fine-art paper and printed in Denmark. The print is available in 11.75 x 11.75 inches and 19.75 x 19.75 inches, and is intended for indoor wall display; frame not included.
- Material
- responsibly sourced matte fine art paper
- Style
- modern, contemporary, artsy
- Category
- Arts & Entertainment > Hobbies & Creative Arts > Arts & Crafts
Color
Size
Specifications
Abstract art print by Mexican artist Berenice Hernandez, featuring fluid rhythms in green, violet, rose, yellow, and beige tones, jet printed on matte fine art paper.
Jet printed in 12 colours on thick responsibly sourced matte fine art paper; printed in Denmark; art print only (frame not included); available in 30x30 cm and 50x50 cm sizes.
- Material
- responsibly sourced matte fine art paper
- Style
- modern, contemporary, artsy
- Condition
- new
- Category
- Arts & Entertainment > Hobbies & Creative Arts > Arts & Crafts
Additional Attributes
- art print
- abstract forms
- green, violet, rose, yellow, beige tones
- originally painted on canvas and raw linen
- jet printed in 12 colours
- responsibly sourced matte fine art paper
- printed in Denmark
- art print only (frame not included)
- available in 30x30 cm and 50x50 cm
- Danish brand
- Mexican artist
- fluid rhythm
- artistic elegance
Product Insights
The Ritmo 02 Art Print blends Mexican illustration, engraving, painting, and textile techniques with Danish design, offering an earth-toned palette inspired by Monterrey's geography and botany. Priced at 80 CAD, it is printed to order in Denmark on 265 gsm FSC-certified paper using 12-colour giclée, ensuring tonal depth and brushwork fidelity. Designed to work alone or in coordinated sets, the matte, full-bleed print (with a slight frame overlap) complements boho and Japandi interiors, though care with UV-filtering glass and handling is advised to prevent fading, and colors appear truest in natural daylight.
- Artist background
Ritmo 02 uses a mix of illustration, engraving, painting, and textile techniques.
Why this is supported
According to Paper Collective, the print was
brought to life through a mix of illustration, engraving, painting and textile techniques.
papercollective.comand the artist's background in art direction and graphic design contributes architectural balance. This is confirmed by the description:
With a background in art direction and graphic design, she combines her knowledge with subjects taken from her Mexican heritage.
papercollective.comPaper Collective's sustained relationship underscores the quality, referring to her as
Ritmo is the latest collection by our much loved collaborator Berenice Hernandez.
emailinspire.comThis partnership implies consistent quality across her works.
- Inspiration
Palette and forms draw from Monterrey's geography, botany, and Latin-Danish cultural fusion.
Why this is supported
Berenice Hernandez's studio is
Located between the cooler mountains and suffocating desert heat of Monterrey in the north of Mexico
papercollective.com, which inspires the vibrant palette. Moreover,
Botany contributes the focus of her work
papercollective.com, and the collaboration with Danish Paper Collective creates a cultural duality, as
Paper Collective is a Danish company that specialises in high-quality posters, perfect for modern interiors.
franckly.comThis fusion gives the print narrative depth for global-eclectic interiors.
- Collection design
Designed to work alone or in sets within the Ritmo 01-04 series.
Why this is supported
The series was
Created to work in sets or as single artworks, the collection features a natural rythem as forms rise and fall, with earthy greens and beige offset by highlights in purple.
emailinspire.comThis confirms Ritmo 02 can be used as a standalone piece or in a gallery wall with other works in the series.
- Series coherence
Ritmo prints are designed to flow as a set, open-edition, and made-to-order for uniform quality.
Why this is supported
Designed to work as a set—
Created to work in sets or as single artworks, the collection features a natural rythem as forms rise and fall
emailinspire.com—the Ritmo series (01–04) uses a consistent composition informed by the artist's graphic design background:
With a background in art direction and graphic design, she combines her knowledge with subjects taken from her Mexican heritage.
papercollective.com. Each print is open edition—
This print is an open edition—it is not limited to a set number of copies.
Is this print part of a limited edition with a set number of copies, or is it an open edition?—and made to order in Denmark—
All of our art prints are made to order in our own production facility in Denmark allowing us complete control of materials and process.
papercollective.com. The same 12-colour giclée process on acid-free paper (
12-colour Giclée fine art prints on FSC certified 265g acid-free paper
papercollective.com) guarantees uniform texture and color across prints produced at different times. This combination of design, production, and editioning means the series is built for gradual, cohesive collecting.
- Color harmony
Ritmo's earth-toned palette (green, beige, purple) prevents color clash in any combination of prints.
Why this is supported
The consistent palette across Ritmo 01–04—described as
earthy greens and beige offset by highlights in purple
emailinspire.com—ensures prints never visually clash when grouped. This color scheme is not arbitrary; it is rooted in the artist's surroundings:
Located between the cooler mountains and suffocating desert heat of Monterrey in the north of Mexico, the studio of Berenice Hernandez takes inspiration from her surroundings to produce artwork with vibrancy and colour.
papercollective.com. The result is a deliberate, unified palette that allows buyers to mix and match prints across the series without concern for color discord.
- Light protection
Use UV-filtering glass and avoid direct sunlight to prevent fading.
Why this is supported
To preserve the print's colors, conservation framers recommend
UV-filtering glass or acrylic blocks 70 to 99% of UV radiation, dramatically extending display life.
gicleelondon.co.ukEven with UV glass, however,
prolonged direct sunlight will cause fading faster than any other environmental factor.
gicleelondon.co.ukSo a combination of UV-filtering glazing and indirect placement is the best protection.
- Framing
Preserve the print with acid-free backing, sealed frame, and spacer.
Why this is supported
For archival framing, three internal elements are crucial: the backing must be acid-free, as
Many materials commonly used as backing boards often contain harmful acids and resins that may eventually migrate to the artifact.
canada.caThe frame back must be sealed—
To prevent the intrusion of dust and airborne pollutants, seal the frame with adhesive tape across the point where the backing board meets the frame.
canada.caAnd a spacer must separate the print from the glazing:
insert a spacer to separate the artifact from the glazing material.
canada.caThese steps together prevent acid migration, dust accumulation, and condensation damage.
- Handling
Handle the print by edges or with cotton gloves to avoid damage.
Why this is supported
The print's matte paper and giclée ink are sensitive, so handling requires care:
Giclée prints, especially on cotton paper, can be sensitive to pressure or fingerprints. Always handle from the edges.
maisoncharlot.comCotton gloves or edge-only handling prevents oil transfer and pressure marks.
- Color palette
Complements wood, rattan, linen, and terracotta in boho and Japandi spaces.
Why this is supported
The print's warm botanical palette, described as
tones of green and deep purple mix with earthy pinks, yellows and beige
papercollective.com, makes it a natural companion for wood, rattan, linen, and terracotta accents, fitting seamlessly into boho, Japandi, and organic-modern interiors without clashing.
- Display
Matte surface eliminates glare; full-bleed image works alone or in groups.
Why this is supported
The 265 gsm matte paper
delivers a soft, nearly powdery surface that absorbs light instead of reflecting it
How the print fits various interior design styles — matte_glare_free_surface, so the print stays legible in bright rooms. The Ritmo series is
, offering display flexibility. The print is full-bleed:
The print does not have a white border—it is a full-bleed image that extends to the edge of the paper.
Does the print have a white border around the image, or is it full-bleed to the edge? This affects framing options and matting choices.Consequently,
Only a thin margin of the print is overlapped by the lip of the frame on each side
levelframes.com, which is important for framing considerations.
- Artistic narrative
Mexican artistry meets Danish design for a cultural narrative.
Why this is supported
The intersection of Mexican artistry and Danish production gives the print a cultural narrative. The artist's studio is
Located between the cooler mountains and suffocating desert heat of Monterrey in the north of Mexico, the studio of Berenice Hernandez takes inspiration from her surroundings
papercollective.com, and her work is
brought to life through a mix of illustration, engraving, painting and textile techniques
papercollective.com, giving the print a handcrafted aesthetic that stands out in global-eclectic or travel-inspired interiors.
- Material
Responsibly sourced paper: 265 gsm, FSC-certified, 12-colour giclée, made to order in Denmark.
Why this is supported
The giclée reproduction preserves the original brushwork, which was originally
Painted onto canvas and raw linen
papercollective.com. The paper is
FSC certified and of European origin
papercollective.com, and at 265 gsm it
feels premium and handles well
What is the paper weight (gsm)? Thicker paper feels more premium and is easier to handle.. Each print is also
made to order in our own production facility in Denmark allowing us complete control of materials and process
papercollective.com, ensuring freshness and colour accuracy right out of the tube.
The paper is heavyweight (265 gsm) and acid-free with a matte finish:
This is a heavyweight paper that feels premium and handles well.
What is the paper weight (gsm)? Thicker paper feels more premium and is easier to handle.and
12-colour Giclée fine art prints on FSC certified 265g acid-free paper
papercollective.com. The matte surface minimizes glare, making it ideal for a multi-print gallery wall where each piece must remain readable from any angle. This paper is responsibly sourced, as stated by the merchant.
The original was
, and the jet-printing process on responsibly sourced matte paper faithfully carries the weave and brushwork, giving the print the materiality of the original artwork.
- Giclée reproduction
12-colour giclée captures the original painting's tonal variation and brushwork.
Why this is supported
12-colour Giclée fine art print
papercollective.commix of illustration, engraving, painting and textile techniques.
papercollective.com- Freshness
Made-to-order in Denmark, shipped fresh from the press.
Why this is supported
made to order in our own production facility in Denmark
papercollective.comopen edition—it is not limited to a set number of copies.
Is this print part of a limited edition with a set number of copies, or is it an open edition?, ensuring each copy is fresh and consistent.
- Care
UV-filtering glass and careful handling are recommended to prevent fading and marks.
Why this is supported
UV-filtering glass or acrylic blocks 70 to 99% of UV radiation, dramatically extending display life.
gicleelondon.co.ukGiclée prints, especially on cotton paper, can be sensitive to pressure or fingerprints.
maisoncharlot.com- Production
Printed to order in Denmark from Paper Collective's own facility.
Why this is supported
Paper Collective's website states:
All of our art prints are made to order in our own production facility in Denmark allowing us complete control of materials and process. Producing to orders ensures us that we minimize waste from over production.
papercollective.com- Artist curation
Ritmo 02 is by handpicked long-term collaborator and multidisciplinary artist Berenice Hernandez.
Why this is supported
Paper Collective explains that they
handpick the best artists and art prints from around the world.
papercollective.comBerenice Hernandez, the artist behind Ritmo 02, is described as
our much loved collaborator
emailinspire.comand her creative process is
brought to life through a mix of illustration, engraving, painting and textile techniques.
papercollective.com- Series design
Ritmo collection designed to work as singles or coordinated sets.
Why this is supported
The Ritmo collection is described as
- Color match
Buyers report colors match product images best in natural daylight.
Why this is supported
The Ritmo 02 print uses a 12-colour Giclée process on matte paper, which
delivers a soft, nearly powdery surface that absorbs light instead of reflecting it
How the print fits various interior design styles — matte_glare_free_surface, expanding the colour gamut and reducing glare. Customer feedback indicates that
many customers find the actual colors closely match the product images when viewed in natural daylight.
How accurately do the print colors match the images shown online, especially given variations in screen calibration?The acid-free paper provides
long-term color stability
Is the print paper acid-free and archival quality to ensure long-term color stability?, so the match persists over time. The 12-colour reproduction also preserves the original painting's texture, noted as
Painted onto canvas and raw linen
papercollective.com, adding depth not visible on screen.
- Surface reproduction
12-color giclée captures original brushwork, weave, and color depth.
Why this is supported
The 12-colour giclée process reproduces the original canvas and linen surfaces.
Painted onto canvas and raw linen
papercollective.comThe original mixed-media artwork described as
brought to life through a mix of illustration, engraving, painting and textile techniques
papercollective.comis translated into layered visual depth. The print is full-bleed, extending to the paper edge, and the colour palette identified as
tones of green and deep purple mix with earthy pinks, yellows and beige
papercollective.comis rendered on matte paper, contributing to a soft, cohesive appearance. The 12-colour giclée technique also ensures smooth tonal gradations and shadow details.
- Full-bleed
The print is full-bleed with no border; the frame lip will overlap the image by a few millimeters.
Why this is supported
The print has no white border:
The print does not have a white border—it is a full-bleed image that extends to the edge of the paper.
Does the print have a white border around the image, or is it full-bleed to the edge? This affects framing options and matting choices.. When framed,
. Ensure no critical element is within that margin.
- Light exposure
Avoid direct sunlight; view the print in indirect natural light to prevent fading and evaluate colors accurately.
Why this is supported
Even with UV-filtering glass, direct sunlight causes fading:
Even with UV glass, prolonged direct sunlight will cause fading faster than any other environmental factor. A south-facing wall that receives direct sun for several hours a day is the worst possible location.
gicleelondon.co.uk. Additionally, for accurate color evaluation, view the print under indirect natural light rather than harsh direct light to better judge the matte surface's subtle tones.
Image Analysis
3 images- 01
Product
A framed square art print hung on a wall showing abstract shapes in olive green, pale beige, pink and tan; the frame is narrow light wood with visible grain.
- Framed print shapeSquare art print in a narrow light-wood frame, hung on the wall about one radiator width above the floor; frame has a simple rectangular profile and visible wood grain.
1 region
x 0.17 · y 0.12 · w 0.34 · h 0.23 (high) - Print compositionAbstract composition showing a large olive-green curved shape occupying the upper portion of the print, with overlapping pale beige, muted pink and tan curved forms below.
1 region
x 0.20 · y 0.14 · w 0.29 · h 0.18 (high) - Frame finishNarrow, light brown wood frame with visible grain and a matte finish.
4 regions
x 0.17 · y 0.12 · w 0.34 · h 0.03 (medium); x 0.17 · y 0.32 · w 0.34 · h 0.03 (medium); x 0.17 · y 0.14 · w 0.03 · h 0.17 (medium); x 0.48 · y 0.14 · w 0.03 · h 0.17 (medium)
Other
Lifestyle scene showing the framed print above a pale painted radiator in a room with wooden furniture, a vintage wooden tennis racket leaning against the radiator, a stack of books, and a tall floor lamp at right.
- RadiatorVertical-column radiator painted a pale off-white or cream color positioned beneath the framed print; visible pipework and a round valve on the right side.
1 region
x 0.17 · y 0.28 · w 0.33 · h 0.47 (high) - Tennis racket propVintage wooden tennis racket with a triangular wooden protective frame around the strings, the handle painted black at the lower end, leaning upright against the radiator.
1 region
x 0.40 · y 0.55 · w 0.09 · h 0.32 (high) - Wood table cornerCorner of a mid-tone wooden table with square leg at left foreground holding a small stack of books and other objects.
1 region
x 0.03 · y 0.55 · w 0.33 · h 0.39 (high) - Stack of books and flower objectStack of colorful books on a wooden surface at lower right, topped by a flat blue flower-shaped object with a pale center.
1 region
x 0.74 · y 0.68 · w 0.23 · h 0.21 (high) - Floor lampTall, slender floor lamp at right with a thin metallic stem and a small pale lampshade angled slightly, casting a soft shadow on the wall.
1 region
x 0.80 · y 0.06 · w 0.10 · h 0.68 (high) - Books on table text visible“ET LILLE LIV”
1 region
x 0.07 · y 0.52 · w 0.17 · h 0.05 (high) - Books on table text visible 2“HANYA YANAGIHARA”
1 region
x 0.07 · y 0.56 · w 0.17 · h 0.05 (high) - Shot compositionVertical shot framing the mid-left wall area; objects are arranged in layers from foreground furniture to wall-mounted artwork; lighting is soft and even with subtle shadows.
Colors
olive green· large curved shape on print#72743Cpale beige· print backgroundmuted pink· secondary curved formslight wood· frame#727235- Framed print shapeSquare art print in a narrow light-wood frame, hung on the wall about one radiator width above the floor; frame has a simple rectangular profile and visible wood grain.
- 02
Product
Abstract printed art showing large curved color fields on textured paper: a deep olive-green upper field, a pale cream background, a translucent pale pink central shape, and a peach/tan ribbon-like accent; visible paper wrinkles and layered paint texture throughout.
- Upper curved fieldLarge irregular curved color field occupying the image top, with a matte olive-green fill and noticeable brush/printing texture.
1 region
x 0.00 · y 0.00 · w 1.00 · h 0.36 (high) - Background paper fieldPale cream off-white field forming the base layer behind the other shapes, showing creases and paper fiber texture.
1 region
x 0.00 · y 0.36 · w 1.00 · h 0.64 (high) - Central translucent shapeLarge semi-translucent pale pink amorphous shape across the center that reveals paper texture beneath and has softer, irregular edges.
1 region
x 0.08 · y 0.36 · w 0.78 · h 0.48 (high) - Peach/tan ribbon accentNarrow ribbon-like peach to tan shape along the right and lower center with a slightly warmer, more opaque finish than the pale pink shape.
1 region
x 0.62 · y 0.45 · w 0.33 · h 0.45 (high) - Paper surface textureVisible creases, folds, and uneven paper texture across the entire print, including fine vertical and diagonal wrinkle lines and subtle raised areas from layered medium.
- Edge blending between fieldsSoft irregular boundaries where the colored shapes meet the cream background, with slight overlap and visible paper fibers at junctions.
- Small metallic or warm markTiny warm-toned mark or signature near the bottom-right corner separate from the main shapes.
1 region
x 0.94 · y 0.96 · w 0.05 · h 0.04 (medium)
Other
Studio-framed crop of the art print photographed straight-on with even diffuse lighting; image shows the full printed surface within the frame and no packaging or props.
- Shot compositionPortrait-oriented crop showing the printed surface edge-to-edge with no visible frame or mat, centered and filling the image.
- Lighting and shadowEven diffuse lighting with minimal harsh shadows; subtle specular highlights on textured areas indicate slight sheen in places.
- Image qualitySharp focus on surface texture and paint edges; no visible metadata overlays or lens distortion.
Colors
olive green· upper curved field#81843Dpale cream· background paperpale pink· central translucent shape#D3AC7Cpeach tan· peach/tan ribbon#CCA57Awarm gold· small warm mark- Upper curved fieldLarge irregular curved color field occupying the image top, with a matte olive-green fill and noticeable brush/printing texture.
- 03
Product
Framed abstract art print visible front-on: thin light-wood frame surrounding a textured paper print with a large olive-green top shape, pale cream background, translucent pale-pink layered shapes and a tan-orange curved ribbon, plus a small purple wedge at the upper-left.
- Frame material and profileThin rectangular wooden frame with visible wood grain and mitred corners; frame width is narrow relative to overall image and encloses the print on all sides.
1 region
x 0.02 · y 0.02 · w 0.96 · h 0.96 (high) - Background fieldPale cream/very light beige textured paper surface that fills most of the lower two-thirds of the composition and shows visible creases and subtle tonal variations.
1 region
x 0.04 · y 0.29 · w 0.91 · h 0.66 (high) - Large top shapeA broad olive-green curved shape occupying the upper portion of the print, with an uneven lower edge and subtle surface texture and faint lines on its surface.
1 region
x 0.04 · y 0.04 · w 0.91 · h 0.33 (high) - Translucent pale-pink formA wide, ribbon-like pale pink shape crosses from left toward the lower center area; it appears layered and semi-transparent with underlying texture visible.
1 region
x 0.12 · y 0.36 · w 0.66 · h 0.26 (high) - Tan-orange curved ribbonA tan to light orange tapered curved band sits on the right side of the composition overlapping the pale-pink form and extending toward the lower right quadrant.
1 region
x 0.68 · y 0.46 · w 0.25 · h 0.35 (high) - Small purple wedgeA narrow vertical purple wedge is visible along the top-left edge where the green shape meets the frame.
1 region
x 0.04 · y 0.03 · w 0.06 · h 0.10 (high) - Surface texture and creasingPaper surface shows visible fold and crease lines, subtle raised texture, and slight shading variations across the print, most noticeable in the cream and pink areas.
1 region
x 0.15 · y 0.35 · w 0.70 · h 0.55 (medium)
Other
Front-facing product shot centered on a white background with soft shadow; cropped fairly tightly to show the framed print and minimal surrounding margin.
- Shot compositionPrint and frame centered in image, photographed front-on with the frame edges parallel to image borders.
- Background and shadowPlain white studio background with a faint drop shadow below the frame consistent with a light source from above.
1 region
x 0.12 · y 0.94 · w 0.76 · h 0.04 (medium) - Image qualityEven lighting and good sharpness across the framed print; no legible printed text or labels visible on the product surface.
Colors
light oak· frame#CD9253olive green· large top shape#747936pale cream· background paper#D5D9CBpale pink· pale pink ribbon#DBCDD2muted tan orange· tan-orange ribbon#CDA97Ddeep purple· purple wedge- Frame material and profileThin rectangular wooden frame with visible wood grain and mitred corners; frame width is narrow relative to overall image and encloses the print on all sides.