Simons Maison
Powder Colour Lilies Art Print See Available Sizes
This is a framed art print depicting a stylized bouquet of powder lilies, printed on high-quality canvas and mounted in a white floating frame. It includes hanging hardware and is ready to hang for wall decoration. Available sizes range from 12 x 16 inches to 30 x 40 inches, and it is made in Canada.
- Color
- Bluish Lilies
- Material
- Canvas on white floating frame
- Style
- modern, minimal
- Category
- Home & Garden > Decor > Artwork > Posters, Prints, & Visual Artwork
Color
Size
Specifications
A framed canvas art print featuring a vibrant bouquet of bluish lilies, ready to hang.
Ready-to-hang with hanging hardware included; high-quality canvas on a white floating frame; made in Canada.
- Color
- Bluish Lilies · blue
- Material
- Canvas on white floating frame
- Style
- modern, minimal
- Condition
- new
- Category
- Home & Garden > Decor > Artwork > Posters, Prints, & Visual Artwork
Additional Attributes
- framed
- ready-to-hang
- high-quality canvas
- white floating frame
- hanging hardware included
- made in Canada
Product Insights
This art print presents a full-bleed lily composition on a woven canvas that eliminates glare and adds painterly texture, suspended in a floating frame that creates a 1/8–1/2-inch shadow gap—a mid-century gallery hallmark—keeping edges visible and adding depth. Made in Canada, it supports the domestic economy and design tradition, fitting contemporary, Scandinavian, industrial, and mid-century modern interiors. The tradeoff: purple tones may deviate from screen images due to calibration and printer variances.
- Floating frame
1/8–1/2-inch gap suspends the canvas, keeping all edges visible and adding shadow depth.
Why this is supported
The white floating frame is built with
a consistent gap — usually between 1/8 inch and 1/2 inch — around all four sides. This gap creates the illusion that the canvas is suspended or floating within the frame.
thedecorvibe.comThis gap keeps every edge of the canvas fully visible,
allowing the viewer to see the complete piece without any part of the painting being interrupted or concealed.
erinhanson.comThe separation also adds breathing room and visual weight without overpowering the composition. The suspended canvas creates a shadow gap about 0.75–1 inch from the wall, reinforcing the depth effect. Combined with the canvas's texture and lack of glass, the print appears painterly and glare-free. The overall result is a gallery-quality presentation; as one source describes,
The floating frame style — where the canvas appears to hover inside a slim wooden surround — adds depth and polish that makes a canvas read as proper art.
rossettiart.comThis framing style originates from mid-century modern galleries and works well with contemporary, Scandinavian, and industrial interiors.
- Full-bleed display
Full canvas visible — outer blooms and sun never cropped by the floating frame.
Why this is supported
The floating frame is designed to mount behind the canvas,
allowing the viewer to see the complete piece without any part of the painting being interrupted or concealed.
erinhanson.comThis approach
preserving the composition's intended full-bleed feel without a traditional frame cropping the outer blooms.
How a floating frame changes the look — unobstructed_canvas_edgesWith a visible gap around all sides,
the entire printed surface remains visible — so the lilies run right to the edges
How a floating frame changes the look — unobstructed_canvas_edges. Additionally, because the canvas lacks glass,
canvas prints do not reflect light
lumaprints.com, ensuring the image is readable from any lighting condition.
- Floater frame
1/8-to-1/2-inch shadow gap, a mid-century gallery hallmark, floats the canvas.
Why this is supported
The floater frame on this print derives from mid‑century gallery presentation, where
The origins of the floater frame trace back to mid-century modern galleries in the 1950s and 60s.
gallery.first4frames.co.ukA hallmark of that style is the
a consistent gap — usually between 1/8 inch and 1/2 inch — around all four sides. This gap creates the illusion that the canvas is suspended or floating within the frame.
thedecorvibe.comBecause the frame grips from behind, the entire printed image is left unobstructed,
allowing the viewer to see the complete piece without any part of the painting being interrupted or concealed.
erinhanson.comThese features give the artwork a refined, museum‑quality presence that complements modern interiors.
- Made in Canada
Made in Canada, supporting Canadian economy and design tradition.
Why this is supported
Research confirms that Simons Maison is a Canadian‑owned company whose
Ownership is held by the founding family with significant minority investment from Canadian institutional funds. Profits and dividends remain within the Canadian financial ecosystem.
ourdime.caPurchasing this print supports Canadian design tradition and the national economy.
- Style compatibility
Floating frame suits contemporary, Scandinavian, industrial, and mid-century modern interiors.
Why this is supported
The white floating frame creates
a consistent gap — usually between 1/8 inch and 1/2 inch — around all four sides.
thedecorvibe.comThis gap gives the canvas a suspended appearance, and design sources state that the frame's clean lines
Additionally, the frame's design
origins of the floater frame trace back to mid-century modern galleries in the 1950s and 60s.
gallery.first4frames.co.ukThis establishes compatibility with mid-century modern interiors as well. Because the frame mounts behind the canvas, the full composition remains visible without obstruction, and the increased visual weight makes the print an architectural detail even in small spaces, making it especially suitable for contemporary and minimalist interiors.
- Canvas texture
Woven canvas surface mimics painting texture and eliminates glare.
Why this is supported
The woven canvas surface
has a texture that mimics the look of an actual painting, in contrast to paper or posters.
lumaprints.comAt the same time, because canvas
prints do not reflect light
lumaprints.comunlike glass-framed prints, the artwork avoids glare and remains clearly visible even in bright, sunlit rooms. These properties give the print a painterly quality suited for refined interiors where the texture and lack of reflection enhance the viewing experience.
- Visual presence
Floating frame's shadow gap makes small sizes feel gallery-worthy.
Why this is supported
The floating frame's consistent shadow gap (1/8" to 1/2") creates the illusion that the canvas is suspended:
This gap creates the illusion that the canvas is suspended or floating within the frame.
thedecorvibe.com. This design, as rossettiart.com notes,
adds depth and polish that makes a canvas read as proper art.
rossettiart.comkolekin.com confirms that adding a floating frame
increases the overall dimensions and visual weight of the piece without overpowering it.
kolekin.comThe frame's mid-century gallery origins further reinforce a curated feel:
The origins of the floater frame trace back to mid-century modern galleries in the 1950s and 60s.
gallery.first4frames.co.ukTogether, these effects make even the smallest prints feel gallery-worthy.
- Edge-to-edge
Floating frame leaves the entire artwork visible without cropping.
Why this is supported
Because the floating frame attaches behind the canvas rather than overlapping the front, the entire lily illustration remains visible. This design, as erinhanson.com explains, results in
allowing the viewer to see the complete piece without any part of the painting being interrupted or concealed.
erinhanson.comThis ensures that even the smallest size preserves the artist's full-bleed composition.
- Glare reduction
Canvas surface eliminates glare, making prints easy to view in bright rooms.
Why this is supported
The woven canvas surface scatters incoming light instead of reflecting it like glass, so the print remains free of glare even in bright rooms. This makes the frame well-suited for small spaces where overhead lighting is common.
- Style fit
Floating frame suits modern, Scandinavian, and industrial interiors.
Why this is supported
The floating frame's clean lines and minimal shadow gap align with contemporary, Scandinavian, and industrial interiors. As kolekin.com notes,
If your interior design leans towards contemporary, Scandinavian, or industrial, the clean lines of a floater frame fit perfectly.
kolekin.comIn a small modern room like a powder room or entryway, this design makes the frame feel like an integrated architectural detail rather than a decorative addition.
- Canvas finish
Woven canvas on floating frame eliminates glare and adds painterly texture
Why this is supported
The woven canvas surface scatters light, so
Compared to glass-framed paper prints, canvas prints do not reflect light.
lumaprints.comand its texture
mimics the look of an actual painting
lumaprints.com. The floating frame attaches behind the canvas,
allowing the viewer to see the complete piece without any part of the painting being interrupted or concealed
erinhanson.com, and the depth it adds
adds depth and polish that makes a canvas read as proper art
rossettiart.com. Together, these features give a glare-free, textured, gallery-quality presentation.
- Color variation
Purple tones may differ from screen image due to calibration and printer variances.
Why this is supported
The Q&A confirms that
slight variations can occur due to monitor calibration and printing processes, so the purple tones may differ subtly from what you see on screen.
How does the color of the print compare to the online image? Is there any variation in the lilies' purple tones?This highlights that the cool-toned lilies may appear shifted on different monitors, so buyers should expect some variation.
- Matte finish
Canvas print has a matte finish with no glass glare for consistent colors.
Why this is supported
The canvas's woven surface diffuses reflected light, giving the artwork a painterly finish. As noted,
Canvas has a texture that mimics the look of an actual painting, in contrast to paper or posters.
lumaprints.comAdditionally, because the print has no glass cover,
Compared to glass-framed paper prints, canvas prints do not reflect light.
lumaprints.comThis combination of texture and no-glare means the lilies' purple and green tones maintain consistency across different room lighting, appearing more matte and less saturated than on a glossy screen.
- Ownership
Profits remain within the Canadian financial ecosystem.
Why this is supported
Catalog verified that Simons Maison is family-owned with Canadian institutional investment, meaning profits from this print support the Canadian economy. Independent research confirms:
Profits and dividends remain within the Canadian financial ecosystem.
ourdime.caThis extends beyond the 'Made in Canada' label to the ownership structure, providing direct economic benefit to Canada.
Image Analysis
3 images- 01
Product
Framed botanical art print showing three stylized downward-facing lilies in powder purple with olive-green leaves and a solid yellow-orange circular sun on a cream background, presented in a thin white frame hung on a vertical beadboard wall.
- Overall compositionRectangular framed art print with a narrow white frame containing a cream background and a centered botanical illustration of three large bell-shaped lilies, leaves, and a circular sun element.
1 region
x 0.28 · y 0.04 · w 0.52 · h 0.66 (high) - Flower petalsThree downward-facing, stylized lily petals colored a muted powder lavender with small white speckled patterning visible on interior petal areas.
1 region
x 0.37 · y 0.10 · w 0.30 · h 0.36 (high) - Leaves and stemsLong flowing leaves and stems rendered in an olive-green color with smooth, flat fill and no visible texture, extending vertically through the composition.
1 region
x 0.36 · y 0.22 · w 0.28 · h 0.46 (high) - Sun motifA solid circular sun shape in a warm yellow-orange hue positioned behind the upper right flower near the top edge of the print.
1 region
x 0.62 · y 0.06 · w 0.18 · h 0.18 (high) - Frame detailThin, flat, matte white frame that sits flush against the print edges with a narrow margin between the printed area and the frame inner edge.
1 region
x 0.28 · y 0.04 · w 0.52 · h 0.66 (high)
Other
Lifestyle scene showing the framed print hung on a vertical beadboard wall beside a window, with a wooden stool holding a blue ceramic vase of pink tulips in the lower left and a radiator and a second framed print visible at lower right; soft natural light from the left casts gentle shadows.
- Wall surfaceVertical painted beadboard wall in a light neutral tone serving as the backdrop for the framed print.
1 region
x 0.00 · y 0.00 · w 1.00 · h 1.00 (medium) - Window and lightingTall window on the left edge providing soft directional natural light that illuminates the scene and casts subtle shadows toward the right.
1 region
x 0.00 · y 0.00 · w 0.18 · h 0.48 (high) - Vase and flowers propTall narrow blue ceramic vase sitting on a small round wooden stool holding several pink tulips with green stems and buds; vase and flowers are foreground props and not part of the print.
1 region
x 0.09 · y 0.62 · w 0.24 · h 0.31 (high) - Radiator propWhite cast-iron style radiator visible at the lower right edge of the image beneath the prints.
1 region
x 0.50 · y 0.75 · w 0.47 · h 0.25 (high) - Second framed print cropPartial view of a second framed print with orange and pink floral shapes visible at the right edge, cropped by the image border.
1 region
x 0.78 · y 0.44 · w 0.22 · h 0.52 (high) - Shot compositionVertical lifestyle shot showing the framed print as the focal point within a domestic vignette; image is well lit with soft shadows and minimal glare on the frame glass.
Colors
warm cream· print backgroundpowder lavender· flower petals#A6A9D1olive green· leaves and stems#A58914warm yellow-orange· sun element#DC9922matte white· frame- Overall compositionRectangular framed art print with a narrow white frame containing a cream background and a centered botanical illustration of three large bell-shaped lilies, leaves, and a circular sun element.
- 02
Product
Cropped framed canvas art showing the lower-right front corner of a stretched canvas inside a white outer frame and a separate view of the canvas rear with a metal sawtooth hanger and yellow backing tape.
- Front canvas cornerVisible lower-right corner of a stretched canvas with a printed botanical shape in mustard yellow overlapping an off-white textured canvas surface; the canvas sits slightly inset inside a narrow white picture frame with a small gap between canvas edge and inner lip.
1 region
x 0.03 · y 0.00 · w 0.94 · h 0.44 (high) - White frame profileRectangular white frame with a flat outer edge and inner rebate visible at the corner; frame shows a mitered corner joint at the lower-right and a narrow inner ledge that holds the canvas.
1 region
x 0.57 · y 0.11 · w 0.40 · h 0.37 (high) - Canvas textureOff-white canvas surface with visible woven texture (fine grid of canvas fibers) across the printed area.
1 region
x 0.05 · y 0.02 · w 0.65 · h 0.36 (high) - Printed color detailMustard yellow botanical petal or leaf shape printed on the canvas; a small area of pale purple with white speckles appears at the top-left corner of the visible artwork portion.
2 regions
x 0.05 · y 0.00 · w 0.36 · h 0.28 (high); x 0.00 · y 0.00 · w 0.12 · h 0.10 (medium) - Rear stretcher and tapeRear view of the stretched canvas shows wooden stretcher bars and a strip of yellow adhesive tape applied along the inner back edge of the frame to cover the canvas staple line.
1 region
x 0.03 · y 0.48 · w 0.94 · h 0.49 (high) - Sawtooth hangerSilver metal sawtooth hanger screwed to the top rear stretcher; hanger has a row of triangular sawtooth notches and three visible screw holes attaching it to the frame.
1 region
x 0.28 · y 0.48 · w 0.44 · h 0.14 (high)
Other
Image is a two-panel crop showing the front lower-right framed artwork in the upper portion and a close-up of the canvas back and hanger in the lower portion; background is a pale vertical beadboard and smooth wall with soft studio lighting.
- Two-panel compositionImage composed of two stacked views: upper panel shows framed front of artwork, lower panel shows rear stretcher and hanger.
1 region
x 0.00 · y 0.00 · w 1.00 · h 1.00 (high) - Background wallLower portion behind the framed front shows vertical beadboard paneling in a pale beige color; upper background for the rear view is a smooth pale wall.
2 regions
x 0.00 · y 0.33 · w 1.00 · h 0.15 (high); x 0.00 · y 0.48 · w 1.00 · h 0.52 (high) - Lighting and shadowSoft, even studio lighting with minimal harsh shadows; gentle shadowing beneath the inner lip of the frame and slight depth shadow around the sawtooth hanger.
Colors
off-white canvas· canvas backgroundmustard yellow· printed leaf/petal#AC8B2Apale lavender· printed accentmatte white· framegolden yellow tape· rear tape#D5C4B4metallic silver· hangernatural wood· stretcher bars#9C7449- Front canvas cornerVisible lower-right corner of a stretched canvas with a printed botanical shape in mustard yellow overlapping an off-white textured canvas surface; the canvas sits slightly inset inside a narrow white picture frame with a small gap between canvas edge and inner lip.
- 03
Product
Several framed floral art prints are displayed on and against a vertical beadboard wall; frames are narrow and light-colored and each print shows stylized botanical shapes in flat color fills.
- Large left wall printRectangular framed print hung on the left wall showing three downward-facing bell-shaped lilies rendered in flat periwinkle purple with pale dotted texture on petals, olive-green long leaves, and a solid mustard circular sun element behind the flowers; off-white/cream background; narrow pale frame visible around the image.
1 region
x 0.08 · y 0.07 · w 0.34 · h 0.43 (high) - Top right small framed prints clusterThree smaller rectangular framed prints arranged on the upper right wall: a top print with stylized orange flowers and olive leaves on a light background, a middle-right print with orange linear flower heads and bluish-teal rounded leaves on a pale background, and a small square-ish print below them with pink-peach drooping flowers and olive-green wavy leaves; all use flat color areas and have narrow light-colored frames.
3 regions
x 0.62 · y 0.04 · w 0.20 · h 0.18 (medium); x 0.78 · y 0.08 · w 0.16 · h 0.16 (medium); x 0.58 · y 0.36 · w 0.28 · h 0.30 (medium) - Floor-leaning printsTwo framed prints leaning against the radiator and floor area: one smaller portrait print with white star-like flowers on a warm yellow background leaning against the radiator, and a larger portrait print with large abstract pale cream botanical shapes on a mustard background leaning partly cropped at the right edge; both have narrow pale frames and are shown upright but resting on the floor.
1 region
x 0.20 · y 0.69 · w 0.28 · h 0.30 (high) - Frame construction and finishAll visible frames are slim, flat-edged, and light-colored (near-white or very pale beige) with a small visible inner mat or recess between frame and print surface.
Other
Interior lifestyle scene with beadboard wall, window light from left, a white radiator under the prints, a checkered black-and-white floor, a small wooden stool with a blue ceramic vase holding pink tulips, and soft directional lighting that casts shadows to the right.
- Room background and lightingVertical beadboard wall painted a pale neutral color fills the background; daylight enters from a tall window at the left creating soft directional light and rightward shadows.
- Support propsWhite painted cast-iron radiator sits against the wall and several framed prints rest against it; a small wooden stool with a narrow round top holds a tall blue ceramic vase with three pink tulips leaning outward.
2 regions
x 0.06 · y 0.70 · w 0.16 · h 0.24 (high); x 0.18 · y 0.56 · w 0.22 · h 0.38 (high) - Floor patternFloor shows a large-scale checkered tile pattern in alternating black and white squares with visible grout lines.
1 region
x 0.00 · y 0.78 · w 0.98 · h 0.22 (high) - Image cropping and perspectiveImage is vertically oriented showing a partial right-cropped large print and full left window; perspective is slightly angled so wall and floor meet near lower center of the frame.
Colors
periwinkle, olive, mustard on cream· left large print - periwinkle lilies and sun#BCAD92muted orange and olive on pale· top-right orange floral print#B6AB9Asoft orange and teal· middle-right small print - orange and tealpeach pink and olive· center leaned print - pink-peach flowers and olive leaves#C2BDAAwarm mustard yellow with white· floor print - white star flowers on yellow#BCB4A4deep mustard and pale cream· large right-cropped print - pale botanical shapes on mustardnear-white frame· frames- Large left wall printRectangular framed print hung on the left wall showing three downward-facing bell-shaped lilies rendered in flat periwinkle purple with pale dotted texture on petals, olive-green long leaves, and a solid mustard circular sun element behind the flowers; off-white/cream background; narrow pale frame visible around the image.