Paper Collective
Hi Flower 03 Print See Available Sizes
Hi Flower 03 is an art print from Paper Collective, a Danish brand, featuring Japanese artist Marina Ayashiro's cheerful floral illustration. It is jet printed in 12 colours on responsibly sourced matte fine art paper and printed in Denmark. Available in 30 x 40 cm and 50 x 70 cm sizes, the art print only (frame not included) is suitable for framing and wall decor.
- Material
- Thick responsibly sourced matte fine art paper
- Category
- Home & Garden > Decor > Artwork > Posters, Prints, & Visual Artwork
Color
Size
Specifications
A cheerful floral art print with cute characters in white, green, and yellow on a sky blue background, jet printed on matte paper.
Jet printed in 12 colours on thick responsibly sourced matte fine art paper. Art print only (frame not included). Printed in Denmark. Available sizes: 11.75" x 15.75" (30 x 40 cm) and 19.75" x 27.5" (50 x 70 cm).
- Material
- Thick responsibly sourced matte fine art paper
- Gender
- unisex
- Condition
- new
- Category
- Home & Garden > Decor > Artwork > Posters, Prints, & Visual Artwork
Additional Attributes
- Jet printed in 12 colours
- Responsibly sourced matte paper
- Art print only
- Printed in Denmark
- Cheerful floral characters
- Artsy, chic vibe
Product Insights
The Hi Flower 03 Print from Paper Collective, priced at 90 CAD, offers an archival lifespan of 70–100 years when displayed with UV-filtering glazing that blocks 97–99% of UV and in low, indirect light, using LED lighting with CRI 90+ to avoid UV and heat damage. The print is on FSC-certified 265 gsm acid-free paper with giclée inks, but even indirect daylight fades prints, requiring avoidance of direct sun and a dim room. Proper framing—edge-to-edge or matted to 61×91 cm with acrylic glazing and acid-free mat—and spacing of 5–8 cm between frames (3–4 cm for a curated look) are recommended, with the 50×70 cm size serving as an anchor and the 30×40 cm for accents. As an open edition without artist signature, the main tradeoff is that this print's longevity depends entirely on rigorous preservation measures.
- UV protection
UV-filtering glazing blocking 97–99% of UV is essential to prevent fading of the 12-colour giclée inks.
Why this is supported
UV exposure would fade the 12-colour giclée inks within a few years even under indirect daylight.
UV-filtering glass or acrylic blocks roughly 97–99% of UV rays — the single most effective thing you can do for a framed piece.
austingallery.orgStandard picture glass offers minimal UV protection. The print's acid-free paper prevents chemical yellowing, but UV-filtering glazing is needed to protect the surface pigments from light-induced fading. For the larger 50×70 cm variant,
UV acrylic (e.g., Tru Vue Conservation Clear) — Lightweight and shatter-resistant. 99% UV filtering. The best choice for large pieces and shipping.
gicleelondon.co.ukPairing UV-filtering glazing with a high-CRI LED picture light eliminates both UV and heat emission, ensuring the 12-colour palette reads as intended.
Use LED, not halogen or incandescent, near art — LED emits almost no UV or heat.
austingallery.orgUnder ideal conditions with UV-filtering glazing and acid-free framing,
giclée prints can last 70–100 years or more under ideal conditions.
grandrivergiclee.com- Light exposure
Even indirect daylight fades prints; avoid direct sun and keep the room dim.
Why this is supported
The museum standard for works on paper is about 50 lux, meaning typical living-room brightness will fade prints over time.
Keep light-sensitive works on paper around 50 lux — the museum standard for watercolors, prints, and photographs. Fifty lux is dim by living-room standards: roughly the light of a single candle a foot away, or a softly lit gallery alcove.
austingallery.orgThe research emphasizes that direct sunlight is particularly harmful, but even indirect daylight causes fading:
choosing a wall that never receives direct sun and keeping the room brightness moderate to avoid the slow, unstoppable fading that bright light causes even behind UV glass
Display, framing and long-term care — 50_lux_display_thresholdand that
light damage is cumulative and irreversible
Display, framing and long-term care — 50_lux_display_thresholdso a dim, sun-free location is critical.
- Longevity
With UV-filtering glass and low light, the print lasts 70–100 years.
Why this is supported
UV-filtering glass blocks 97–99% of UV rays, protecting the print's most vulnerable colors.
UV-filtering glass or acrylic blocks roughly 97–99% of UV rays — the single most effective thing you can do for a framed piece.
austingallery.orgThe print's bright blue background and yellow centers are especially susceptible to UV fading:
fade the rich lavender, orange, and yellow pigments over even a few years of indirect daylight exposure
Display, framing and long-term care — uv_filtering_glazingFor larger sizes like the 50x70 cm variant, UV acrylic offers the same protection with added shatter resistance:
UV acrylic (e.g., Tru Vue Conservation Clear) — Lightweight and shatter-resistant. 99% UV filtering. The best choice for large pieces and shipping.
gicleelondon.co.ukWhen combined with low light and acid-free paper, giclée prints can hold their color for decades:
Pigment inks are far more stable than dye-based inks, and if you combine them with acid-free papers, giclée prints can last 70–100 years or more under ideal conditions.
grandrivergiclee.comThus, UV glazing and low light together ensure the print's longevity.
- Lighting
Use LED with CRI 90+ to avoid UV and heat damage.
Why this is supported
To safely accentuate the print, use LED fixtures:
Use LED, not halogen or incandescent, near art — LED emits almost no UV or heat.
austingallery.orgA high CRI (90+) ensures accurate color rendering without damaging the print.
- Archival lifespan
Print can last 70–100 years when properly framed and displayed.
Why this is supported
The print is
12-colour Giclée fine art prints on FSC certified 265g acid-free paper
What is the paper weight (gsm) of the thick matte fine art paper?, and pigment inks ensure
giclée prints can last 70–100 years or more under ideal conditions
grandrivergiclee.com. However, achieving this requires
UV-filtering glass or acrylic blocks roughly 97–99% of UV rays
austingallery.organd to
Always specify acid-free (pH neutral) or alkaline-buffered conservation mount board
gicleelondon.co.uk. As an
open edition print
Is this print a limited edition or open edition?that is
not signed by the artist
Is the print signed by the artist?, its value is in long-term decorative use.
- Size placement
50x70 cm is the default, scaling from solo to trios; 30x40 cm for tight spots.
Why this is supported
The 30×40 cm size is best for intimate displays.
30 × 40 cm — The smallest canvas size, suitable for desk displays, small shelving, or tight gallery wall slots.
kuriosis.comThe 50×70 cm size is recommended as the default, described as a workhorse that scales naturally. It is framed as:
50 × 70 cm — The everyday workhorse. Works well as a solo statement piece in bedrooms, home offices, and hallways, and scales naturally in pairs or trios. This is the size most people should default to.
kuriosis.comAdditionally, three 50×70 prints in a row cover two-thirds of a 2-metre sofa width, as stated:
three 50x70 prints arranged in a row comfortably cover the recommended two-thirds of a 2-metre sofa width
Sizing, scale and room placement — 50x70_cm_as_workhorse_statement- Gallery arrangement
Space frames 5–8 cm apart, anchor with larger print, consistent colors.
Why this is supported
For multi-print arrangements,
For multi-print arrangements, 5–8 cm between frames is the standard.
kuriosis.comUsing consistent frame colors and anchoring with the larger print creates a cohesive set.
- Framing
Display edge-to-edge or matted to 61×91; use acrylic glazing for weight and safety.
Why this is supported
The 50×70 cm print can be framed edge-to-edge. IKEA specifies their 50×70 cm LOMVIKEN frame as suitable for a
Picture without mount, width: 50 cm
ikea.com. Alternatively, mat it to a 61×91 cm frame (A1 size) for a gallery look, as IKEA's size chart shows:
61 × 91 cm / 24" x 36" | 50 x 70 cm / 19.8" x 27.5" | A1
ikea.com. Because of the size, the frame benefits from lightweight UV acrylic glazing. Giclée London notes that UV acrylic is
Lightweight and shatter-resistant. 99% UV filtering. The best choice for large pieces and shipping.
gicleelondon.co.uk- Preservation
UV glass, acid-free mat, LED display preserves print 70–100 years.
Why this is supported
Start with acid-free mount board. Giclée London cautions that
Standard cardboard mount board contains acids that migrate into paper and cause yellowing over time — a process called acid burn or foxing. Always specify acid-free (pH neutral) or alkaline-buffered conservation mount board.
gicleelondon.co.ukNext, fit UV-filtering glazing—Austin Gallery calls it
the single most effective thing you can do for a framed piece.
austingallery.orgUse LED lighting, which emits almost no UV or heat (Austin Gallery). Grand River Giclée states that combined with the print's pigment inks and acid-free paper,
giclée prints can last 70–100 years or more under ideal conditions.
grandrivergiclee.comFinally, maintain low light levels: Austin Gallery recommends the museum standard of
Keep light-sensitive works on paper around 50 lux — the museum standard for watercolors, prints, and photographs.
austingallery.org- Size roles
30×40 cm for accents; 50×70 cm anchors and scales over furniture.
Why this is supported
The two sizes serve distinct roles in a gallery wall:
A3 (297 × 420 mm) — Intimate. Best for small rooms, bedside tables with a ledge, or as part of a gallery wall where it sits next to other pieces.
kuriosis.comThe 30×40 cm size takes that intimate accent role, while the 50×70 cm size acts as an anchor. It
and scales naturally over furniture:
three 50x70 prints arranged in a row comfortably cover the recommended two-thirds of a 2-metre sofa width.
Sizing, scale and room placement — 50x70_cm_as_workhorse_statement- Spacing
Gaps of 5–8 cm for standard layout, 3–4 cm for curated look.
Why this is supported
For a gallery wall mixing the 30×40 and 50×70 sizes, the spacing guidance is clear:
For multi-print arrangements, 5–8 cm between frames is the standard. Tighter spacing (3–4 cm) makes a wall feel like a curated set; wider spacing (10+ cm) makes it feel random.
kuriosis.com- Paper quality
FSC certified 265 gsm acid-free paper with Giclée inks for 70–100 year archival life.
Why this is supported
The print uses
FSC certified 265g acid-free paper
What is the paper weight (gsm) of the thick matte fine art paper?which is explicitly specified as
The paper used is 265 gsm
What is the paper weight (gsm) of the thick matte fine art paper?. It is printed with
12-colour Giclée fine art prints
What is the paper weight (gsm) of the thick matte fine art paper?. The paper is also confirmed as
Yes, the paper is acid-free
Is the paper archival-quality (acid-free and lignin-free) to prevent yellowing?. This combination yields an archival lifespan where
giclée prints can last 70–100 years or more under ideal conditions
grandrivergiclee.com.
The FSC-certified 265 gsm fine art paper is acid-free and, according to industry standards for giclée prints, also lignin-free, preventing yellowing and brittleness over decades.
- Edition
Open edition print without artist signature.
Why this is supported
The Q&A states that
This is an open edition print.
Is this print a limited edition or open edition?and
No, the print is not signed by the artist.
Is the print signed by the artist?.
Image Analysis
3 images- 01
Product
Flat graphic illustration of two daisy-like flowers with simple smiling faces in the yellow centers, long green stems with darker vein lines, on a solid blue background.
- Flower left - petalsLarge white daisy-like flower with rounded, scalloped petals forming a single layered bloom; petals are flat solid white with smooth, slightly irregular hand-drawn edges.
1 region
x 0.08 · y 0.03 · w 0.46 · h 0.36 (high) - Flower right - petalsSmaller white daisy-like flower with similar scalloped single-layer petals, positioned lower and to the right of the left bloom; flat solid white fill and smooth hand-drawn outline.
1 region
x 0.48 · y 0.34 · w 0.44 · h 0.36 (high) - Centers with facesBoth flower centers are solid circular ovals in warm yellow/orange tones and each contains a minimal drawn face: two small black dot eyes and a tiny curved mouth.
2 regions
x 0.22 · y 0.11 · w 0.18 · h 0.18 (high); x 0.66 · y 0.45 · w 0.16 · h 0.16 (high) - Left center colorLeft flower center is a warm golden yellow, visually lighter and more yellow-toned than the right center.
1 region
x 0.24 · y 0.14 · w 0.12 · h 0.12 (high) - Right center colorRight flower center is a slightly deeper orange-yellow, visually more orange-toned than the left center.
1 region
x 0.67 · y 0.48 · w 0.11 · h 0.11 (high) - Stems and leavesTwo long solid green stems rising from the bottom edge, each terminating in a single large leaf shape beneath its bloom; leaves contain darker green simple vein lines drawn as three curved strokes.
2 regions
x 0.02 · y 0.46 · w 0.34 · h 0.52 (high); x 0.40 · y 0.46 · w 0.38 · h 0.54 (high) - Graphic styleFlat, solid-color vector or print style with no gradients, textures, or cast shadows; outlines are formed by the edge of color fields rather than stroke lines.
Other
Centered composition on a uniform solid blue background with no visible packaging, props, or photographic lighting effects; image is a flat illustrated print.
- BackgroundSolid mid-blue background filling the entire image behind the illustrated flowers.
1 region
x 0.00 · y 0.00 · w 1.00 · h 1.00 (high) - Shot compositionTwo blooms occupy most of the frame, cropped stems at the bottom edge and some petal edges touching the image edges; composition is slightly diagonal with left stem leaning right to the right stem.
- Lighting and textureNo photographic lighting, highlights, or shadows visible; surfaces appear uniformly flat.
Colors
white· petalsgolden yellow· left centerorange yellow· right center#F69F00deep green· stems and leaves#21642D- Flower left - petalsLarge white daisy-like flower with rounded, scalloped petals forming a single layered bloom; petals are flat solid white with smooth, slightly irregular hand-drawn edges.
- 02
Product
Framed flat graphic print showing two stylized white daisy-like flowers with yellow circular centers, dark green stems with vein marks, on a solid medium blue background; surrounded by a narrow light wood frame.
- Overall compositionRectangular framed print showing two large stylized flowers occupying most of the image area, oriented with stems rising from the lower edge toward the upper half of the frame.
- FrameNarrow light wood frame with visible grain running around the outer edge of the print; frame is uniform width on all sides.
1 region
x 0.00 · y 0.00 · w 1.00 · h 1.00 (low) - Background fieldSolid medium blue flat background filling the printable area behind the flowers.
1 region
x 0.03 · y 0.03 · w 0.94 · h 0.94 (high) - Left flower petalsLarge white scalloped petals forming a daisy-like head at upper-left of the print.
1 region
x 0.12 · y 0.08 · w 0.44 · h 0.36 (high) - Right flower petalsWhite scalloped petals forming a slightly lower flower on the right side, overlapping the right stem.
1 region
x 0.52 · y 0.28 · w 0.40 · h 0.36 (high) - Flower centers with facesCircular yellow-orange centers in each flower, each center containing two small black dot 'eyes' and a tiny curved black 'smile' drawn as simple marks.
2 regions
x 0.35 · y 0.17 · w 0.12 · h 0.12 (high); x 0.64 · y 0.38 · w 0.11 · h 0.11 (high) - Left stem and leaf shapeThick dark green stem rising from bottom left with a broad leaf-like upper section showing darker curved vein marks.
1 region
x 0.02 · y 0.48 · w 0.34 · h 0.52 (high) - Right stem and leaf shapeSlightly narrower dark green stem rising from lower center toward the right flower, also with darker curved vein marks on the leaf section.
1 region
x 0.36 · y 0.54 · w 0.36 · h 0.46 (high) - Leaf vein marksThin darker-green curved lines printed on each leaf section to indicate veins; three prominent vein strokes visible on each leaf area.
2 regions
x 0.05 · y 0.50 · w 0.28 · h 0.36 (high); x 0.44 · y 0.56 · w 0.24 · h 0.32 (high)
Other
Centered studio-style product photograph of the framed print against a neutral backdrop; even diffuse lighting with minimal shadow and no visible props.
- Shot compositionStraight-on front-facing view of the framed print, image tightly cropped to include entire frame with small margin.
- LightingEven, diffuse studio lighting with no strong directional shadows and minimal specular highlights on the frame.
- Image qualityHigh resolution with crisp flat-color reproduction and clearly defined edges between colors.
Colors
medium blue· background#5682D4white· petalswarm yellow-orange· flower centers#EDBB02deep green· stems#266001dark green· leaf vein lines#1B5C26light wood· frame#CC945B- 03
Product
Framed colorful rabbit print hung on a white wall, shown full-face in a vertical rectangular frame with a visible artist signature near the lower right of the print.
- Overall formatVertical rectangular framed poster hung on the wall; frame is thin light wood and the print has a solid pink background with a large stylized rabbit occupying most of the print area.
1 region
x 0.38 · y 0.08 · w 0.32 · h 0.46 (high) - Rabbit silhouetteLarge stylized rabbit shape in multiple solid color patches (dark green base with additional colored spots) filling most of the poster area and facing right.
1 region
x 0.43 · y 0.12 · w 0.24 · h 0.40 (high) - Frame materialThin light-colored wooden frame with mitered corners visible against the wall.
1 region
x 0.37 · y 0.07 · w 0.33 · h 0.47 (high) - Background color of printUniform light pink background filling the poster area behind the rabbit graphic.
1 region
x 0.40 · y 0.11 · w 0.28 · h 0.41 (high) - Artist signatureSmall cursive-like signature printed near the bottom right corner of the print.Partial
1 region
x 0.64 · y 0.47 · w 0.07 · h 0.04 (medium) - Signature text (partial)“john de jesus”Partial
1 region
x 0.64 · y 0.47 · w 0.07 · h 0.04 (medium)
Other
Lifestyle scene showing the framed print hung on a white wall with nearby furniture and decorative objects; a second framed print leans against the wall below, shelving and a wall lamp are visible to the sides, and a wooden floor and rug occupy the foreground.
- Second framed print on floorA second vertical framed print with a blue background and two white daisy-like flowers leans against the wall below the rabbit print.
1 region
x 0.41 · y 0.62 · w 0.21 · h 0.26 (high) - Side shelving and objectsLight wood slatted wall shelf to the left of the rabbit print holding small books, candles, and small decorative figurines.
1 region
x 0.05 · y 0.09 · w 0.23 · h 0.23 (high) - Wall-mounted lampAdjustable metal wall lamp with a coiled arm and a distressed teal-blue finish mounted to the right of the framed print.
1 region
x 0.76 · y 0.11 · w 0.12 · h 0.15 (high) - Small table and decorative objectSmall light-wood side table to the lower right of the second print holding a small yellow decorative gourd-like object with dotted pattern.
1 region
x 0.62 · y 0.69 · w 0.11 · h 0.13 (high) - Shot compositionInterior lifestyle photograph taken straight-on showing part of a living/dining area; even soft lighting with mild shadowing from objects, no visible people.
Colors
light pink· print background#D5AADBdeep green· rabbit base colorbright yellow· rabbit yellow markingssaturated red· rabbit red markingswhite· rabbit white markingsdeep blue· rabbit blue markings#0243A3light natural wood· frame#D3AB03- Overall formatVertical rectangular framed poster hung on the wall; frame is thin light wood and the print has a solid pink background with a large stylized rabbit occupying most of the print area.