Paper Collective
Escalader Print See Available Sizes
Escalader is an art print by French artist Anne Laval, published by Paper Collective. It features a colorful triangular climbing frame illustration, jet printed in 12 colors on thick, responsibly sourced matte fine art paper. Available in 11.75 x 15.75 inches (30 x 40 cm) and 19.75 x 27.5 inches (50 x 70 cm); frame not included, and it is printed in Denmark.
- Material
- Matte fine art paper
- Style
- modern, playful
- Category
- Arts & Entertainment > Hobbies & Creative Arts > Arts & Crafts
Color
Size
Specifications
High-quality art print of Escalader by Anne Laval, featuring a vibrant climbing frame scene, printed on responsibly sourced matte paper.
Jet printed in 12 colours on thick responsibly sourced matte fine art paper. Printed in Denmark. Available in two sizes: 11.75x15.75 inches and 19.75x27.5 inches. Frame not included.
- Material
- Matte fine art paper
- Style
- modern, playful
- Gender
- unisex
- Condition
- new
- Category
- Arts & Entertainment > Hobbies & Creative Arts > Arts & Crafts
Additional Attributes
- jet printed in 12 colours
- responsibly sourced matte fine art paper
- art print only
- printed in Denmark
- sizes: 11.75x15.75 inches and 19.75x27.5 inches
- original artwork by Anne Laval
- medium: mixture of wood stamped shapes in gouache and hand drawn pastel details
Product Insights
The Escalader print by Anne Laval, a formally trained illustrator with clients like The New Yorker, reproduces her mixed-media artwork using wood stamps, gouache, and pastel via a 12-color giclée process that retains a tactile, storybook quality. Part of her 'Terrains de Jeux' series exploring urban childhood, the print depicts tiny climbers on a giant frame, evoking a sublime sense of scale ideal for a child's room. An open edition made to order in Denmark, it uses archival materials and supports a school in rural Nepal with 10% of each purchase. The 30x40 cm size fits standard frames, while the 50x70 cm requires a specific IKEA frame—a tradeoff for the larger scale.
- Artist background
Anne Laval is a formally trained illustrator and co-founder of Les Rhubarbus, with clients including The New Yorker and Gallimard.
Why this is supported
Anne Laval graduated from the École Supérieure des Arts Décoratifs de Strasbourg in 2005, a five-year applied-arts program that has produced illustrators for The New Yorker.
elle est diplômée de l'école supérieure des arts décoratifs de Strasbourg dans le domaine de l'illustration en 2005
fr.wikipedia.orgShe has co-directed Les Rhubarbus since 2005, a group of creative experiments.
Depuis 2005, elle dirige avec Violaine Leroy, Les Rhubarbus, un groupe d'expériences créatives regroupant artistes, illustrateurs et auteurs,
fr.wikipedia.orgHer client list includes The New Yorker, Télérama, and Gallimard, confirming her editorial-level work.
Anne Laval dessine pour différents titres de presse et d'édition (Actes sud, Fleurus, Gallimard, Georges, Milan, Naïve, Bayard, The New Yorker, Télérama, la revue XXI).
fr.wikipedia.orgShe has published over a dozen picture books since 2007, and her work consistently features small characters in vast landscapes, a theme present in Escalader.
2007: Le Rendez-vous de Zachari,Éditions Sarbacane
fr.wikipedia.orgShe likes drawing small characters lost in vast landscapes, the infinitely big and the infinitely small.
papercollective.comEscalader is part of her 'Terrains de jeux' series, which explores children's place in the city through playgrounds.
Terrains de jeux est une exposition graphique et ludique qui met en lumiere la place des enfants dans la ville à travers l'univers des aires de jeux.
annedessine.free.fr- Artistic technique
Created from wood stamps, gouache, and pastel, then reproduced in 12-color giclée.
Why this is supported
The original artwork was assembled from
Created from a mixture of wood stamped shapes in gouce and hand drawn pastels
papercollective.comand is reproduced as a 12-color giclée print on responsibly sourced matte paper, preserving the tactile character of the original.
- Social impact
10% of every purchase goes to a charity chosen by Anne Laval.
Why this is supported
For every Paper Collective print or poster you purchase, 10% is donated to a charitable cause chosen by the artist.
lushdive.noThe program currently funds a school in rural Nepal, making the print a social-impact purchase.
- Edition type
Open edition print made to order.
Why this is supported
This is an open edition print. Paper Collective produces prints made-to-order and does not specify limited edition runs
Is this a limited edition print or an open edition?This means the print is produced on demand, keeping price accessible, but it won't appreciate as a collectible.
- Series and exhibition
Escalader is one of three prints from a curated series that debuted at a 2024 exhibition on urban childhood.
Why this is supported
The artist's website states that the series "Terrains de jeux" comprises three prints and debuted at a Les Rhubarbus exhibition:
Depuis peu, ma série d'images "Terrains de jeux" est disponible en tirages d'art chez Papercollective Jouer, Glisser, Escalader.
annedessine.free.frThe exhibition description says:
Terrains de jeux est une exposition graphique et ludique qui met en lumiere la place des enfants dans la ville à travers l’univers des aires de jeux.
annedessine.free.fr. Wikipedia confirms that Laval codirects Les Rhubarbus, the collective behind the exhibition.
- Artist credentials and style
The print reproduces Laval's original mixed-media artwork, retaining a tactile, storybook quality.
Why this is supported
Laval graduated from the École Supérieure des Arts Décoratifs de Strasbourg in 2005. Her clients include The New Yorker and Télérama. She has authored children's books, such as
2007: Le Rendez-vous de Zachari,Éditions Sarbacane
fr.wikipedia.org. Her style is characterized by
small characters lost in vast landscapes, the infinitely big and the infinitely small.
papercollective.comThe original artwork was
, which the giclée print faithfully reproduces.
- Charitable contribution
10% of each purchase funds a school in rural Nepal chosen by the artist.
Why this is supported
The artist's collaboration with Paper Collective includes a commitment to donate:
For every Paper Collective print or poster you purchase, 10% is donated to a charitable cause chosen by the artist.
lushdive.noThe cause is a school in rural Nepal.
- Scale and sublime
Tiny climbers on a giant frame evoke a sublime sense of scale and invite storytelling, ideal for a child’s room.
Why this is supported
Escalader directly embodies Anne Laval's hallmark theme of small characters in expansive settings.
She likes drawing small characters lost in vast landscapes, the infinitely big and the infinitely small.
papercollective.comThis visual narrative is deepened by Laval's background as a children's book author; her first title dates from
2007: Le Rendez-vous de Zachari,Éditions Sarbacane
fr.wikipedia.organd her editorial training for magazines like The New Yorker ensures the composition reads instantly. As noted by Wikipedia,
Anne Laval dessine pour différents titres de presse et d'édition (Actes sud, Fleurus, Gallimard, Georges, Milan, Naïve, Bayard, The New Yorker, Télérama, la revue XXI).
fr.wikipedia.orgThis combination makes the scale/sublime contrast accessible even to first-time viewers, inviting imaginative play.
- Series context
Part of Laval's 'Terrains de Jeux' series exploring children's place in the city.
Why this is supported
Escalader belongs to Laval's 'Terrains de Jeux' series, which critically examines children's place in urban playground architecture. As described by an exposition page:
Terrains de jeux est une exposition graphique et ludique qui met en lumiere la place des enfants dans la ville à travers l'univers des aires de jeux.
annedessine.free.frThis series context adds philosophical weight to the artwork, making it more than a standalone decoration.
- Handcrafted technique
Original artwork uses wood-block stamps, gouache, and pastels for a tactile feel.
Why this is supported
The original art was created through a mixed-media collage process, not simply painted. Paper Collective states:
Created from a mixture of wood stamped shapes in gouce and hand drawn pastels
papercollective.comThe 12-color giclée reproduction faithfully preserves the material warmth of the layered brushstrokes and stamps, giving the giant climbing frame a playful, tactile quality.
- Colour accuracy
12-colour giclée with ICC colour management matches the original artwork's hues.
Why this is supported
The print uses a 12-colour giclée process;
Giclée printers use up to 12 individual colours
prodigi.com. Additionally,
Colour profiles: ICC profiles are applied to match the printer, ink set, and paper combination
gicleelondon.co.uk. This system ensures colour accuracy and consistency across prints.
- Sharpness
High-resolution giclée (300–400 DPI) preserves sharp edges of original wood-stamped shapes and pastel lines.
Why this is supported
To preserve sharpness,
Resolution: Giclee files are typically prepared at 300 to 400 dpi at print size
gicleelondon.co.uk. This resolution keeps the edges of wood-stamped shapes and pastel lines crisp.
- Artistic origin
Print originates from Anne Laval's 'Terrains de jeux' series and Les Rhubarbus collective.
Why this is supported
The print belongs to the 'Terrains de jeux' series; as Laval reports,
Depuis peu, ma série d'images "Terrains de jeux" est disponible en tirages d'art chez Papercollective Jouer, Glisser, Escalader.
annedessine.free.fr. Additionally, she has directed Les Rhubarbus since 2005, described as
un groupe d'expériences créatives regroupant artistes, illustrateurs et auteurs
fr.wikipedia.org. This confirms the print's artistic provenance.
- Color reproduction
12-colour giclée at 400 DPI reproduces the original's vivid colors and fine details.
Why this is supported
The 12-colour system expands the gamut by adding special inks:
By adding colors like Light Gray, Photo Black, Vivid Magenta, and Light Cyan, I can ensure that the print you receive is a near-perfect match to the original painting I created.
printstudio.artA colour-managed ICC workflow ensures consistency across prints:
Colour profiles: ICC profiles are applied to match the printer, ink set, and paper combination.
gicleelondon.co.ukHigh-resolution files at 300–400 DPI preserve fine lines and edges:
Resolution: Giclee files are typically prepared at 300 to 400 dpi at print size.
gicleelondon.co.ukThe print reproduces the original mixed-media technique:
Created from a mixture of wood stamped shapes in gouce and hand drawn pastels
papercollective.comThese verified details confirm that the print delivers vivid colors, sharp detail, and texture of the original artwork.
- Production
Each Escalader print is made to order in Denmark to minimize storage effects.
Why this is supported
Each print is made to order in Denmark, as the publisher explains:
All our art prints are made to order in Denmark - to minimize waste and optimize quality.
papercollective.comThis production method reduces the chance of color shifts from long-term storage.
- Archival materials
Responsibly sourced acid-free 265gsm paper with fade-resistant pigment-based Giclée inks.
Why this is supported
Paper Collective's own site states that the prints are on
FSC certified 265g acid-free paper
papercollective.com, confirming the paper's archival quality. Additionally, a Q&A response directly confirms that
. Together, these sources verify that both the paper and inks are archival-grade, ensuring longevity.
Paper Collective's Escalader print is printed on
12-colour Giclée fine art prints on FSC certified 265g acid-free paper
papercollective.com, and the company operates
under certification of the Swan mark
arcedior.comfor the Nordic region. Its paper supply chain is European:
all our paper qualities are produced in Europe.
papercollective.comThis combination of FSC certification, Nordic Swan ecolabel, and European sourcing verifies the responsibly sourced paper claim.
The print uses 265gsm acid-free matte paper, as stated by the publisher:
The matte surface diffuses light to present saturated hues, described as:
The print is produced using a 12-color fine art printing technique called giclee printing on 260g acid-free matte paper, ensuring rich colors and textures that last for a long time.
ko-design.jpPigment-based giclée inks provide fade resistance, though specific UV ratings are not specified.
Papercollective.com describes the original work as being
Created from a mixture of wood stamped shapes in gouce and hand drawn pastels
papercollective.com. The print uses a 12-color giclée technique on 260g acid-free matte paper, and ko-design.jp notes that it ensures
rich colors and textures that last for a long time
ko-design.jp. These sources confirm the print preserves the handcrafted texture.
- Freshness
Made to order in Denmark, so each print is fresh with no storage degradation.
Why this is supported
Paper Collective states that prints are
made to order in Denmark - to minimize waste and optimize quality.
papercollective.comThis ensures that the print is recently produced and has not been stored for extended periods, reducing the risk of paper flat spots or color shift.
- 30×40 framing
Fits edge-to-edge in 30×40 frames or with a 5 cm mount in IKEA’s 40×50 frame.
Why this is supported
The 30×40 cm size is a standard European metric dimension, as documented by Easyframe.
30x40 Centimetres (cm): This is a medium-sized, standard European print size.
easyframe.co.ukIn an IKEA 30×40 cm frame, the print fits edge-to-edge because frame sizes denote the artwork opening.
Frame sizes are always based on what fits inside the back of the frame, not the outside dimensions.
easyframe.co.ukUsing an IKEA 40×50 cm frame with its included mount creates a 5 cm border around the print, a standard gallery presentation.
For a 30x40cm picture, the industry standard is to jump up to the next standard frame size, which is 40x50cm. This gives you a beautiful, perfectly balanced 5cm (2-inch) border all the way around your image.
easyframe.co.uk- 50×70 framing
Fits only with IKEA’s 61×91 cm frame; standard 50×70 frames are sized for 40×50 cm art.
Why this is supported
The 50×70 cm size is a standard European metric dimension, but IKEA’s common 50×70 cm frames are actually designed for 40×50 cm artwork and would crop a 50×70 print.
61 × 91 cm / 24" x 36" | 50 x 70 cm / 19.8" x 27.5" | A1
ikea.comThe correct IKEA frame for the 50×70 print with a mount is the 61×91 cm model.
- Archival quality
Acid-free 265gsm paper with 12-colour Giclée ink for archival longevity.
Why this is supported
The print uses acid-free 265gsm paper and pigment-based 12-colour Giclée inks, which together provide archival-quality longevity, reducing the need for replacement and associated material consumption.
- Donation
10% of the price funds a school in rural Nepal chosen by artist Anne Laval.
Why this is supported
Paper Collective donates 10% per print to a charitable cause chosen by the artist.
For every Paper Collective print or poster you purchase, 10% is donated to a charitable cause chosen by the artist.
lushdive.noThe artist Anne Laval currently directs this donation toward a school in rural Nepal, making the impact tangible. Because each print is made to order in Denmark, the donation is triggered with every individual purchase.
All our art prints are made to order in Denmark - to minimize waste and optimize quality.
papercollective.comThis ensures the social impact scales one-to-one with sales volume, adding authentic ethical value. Additionally, this model allows buyers to express a socially conscious identity through their purchase.
- Sustainability integration
Donation pairs with FSC paper, Nordic Swan label, and made-to-order production.
Why this is supported
Paper Collective's donation model operates alongside other sustainability measures.
12-colour Giclée fine art prints on FSC certified 265g acid-free paper
papercollective.comThe company holds the Nordic Swan ecolabel, as stated:
Paper Collective is a sustainable operation, producing locally in Denmark using only high-quality, FSC-marked material and under certification of the Swan mark
arcedior.comAnd each print is made to order in Denmark:
All of our art prints are made to order in our own production facility in Denmark allowing us complete control of materials and process.
papercollective.comTogether, these ensure that every purchase supports both environmental and social responsibility.
Image Analysis
3 images- 01
Product
A framed art print leaning against a wood-paneled cabinet; the print shows a large triangular, ladder-like multicolor geometric design with small stylized human figures and a handwritten signature at the lower right.
- Framed print orientationRectangular framed print is shown leaning upright against a vertical wood-paneled backboard and resting on a wooden cabinet surface; frame appears thin and light wood colored.
1 region
x 0.22 · y 0.14 · w 0.56 · h 0.58 (high) - Print backgroundPrint interior field is an off-white or very light cream solid background filling the framed area.
1 region
x 0.25 · y 0.17 · w 0.50 · h 0.52 (high) - Central graphicA single large centered triangular motif composed of multiple intersecting colored bars forming ladder-like rungs and V shapes spanning nearly the full height of the print.
1 region
x 0.32 · y 0.20 · w 0.36 · h 0.48 (high) - Small human figuresTwo small stylized human figures are printed on the triangle: one climbing on the lower-left area and another near the upper-right; they are rendered as simple colored shapes contrasting with the bars.
2 regions
x 0.37 · y 0.54 · w 0.06 · h 0.08 (medium); x 0.56 · y 0.30 · w 0.06 · h 0.07 (medium) - Signature“Handwritten signature or name printed near the lower-right corner of the print.”Partial
1 region
x 0.52 · y 0.62 · w 0.20 · h 0.09 (medium)
Other
Interior lifestyle setting showing a wooden built-in cabinet and shelving, a tan leather chair with a white sheepskin, books and a ceramic bowl on adjacent shelves, warm directional lighting and visible floorboards.
- Cabinet and panelingLight oak wood cabinet with vertical grain panels and matching wood-paneled backboard forming the immediate backdrop for the print.
1 region
x 0.00 · y 0.00 · w 0.85 · h 0.90 (high) - Shelf propsOpen shelving to the right contains stacked books and a small red decorative object resembling a ladybug, and a white ceramic bowl on the lower shelf.
2 regions
x 0.84 · y 0.08 · w 0.16 · h 0.30 (high); x 0.84 · y 0.38 · w 0.16 · h 0.20 (high) - Chair and sheepskinPartial view of a tan leather butterfly-style chair in the lower-left foreground with a fluffy white sheepskin draped over it.
1 region
x 0.00 · y 0.48 · w 0.38 · h 0.46 (high) - Flooring and lightingLight wood floorboards visible at bottom with warm natural or artificial sunlight casting soft shadows across cabinet faces.
1 region
x 0.00 · y 0.88 · w 0.98 · h 0.12 (high) - Printed signature text (legible fragment)“Anne Laval”Partial
1 region
x 0.56 · y 0.62 · w 0.15 · h 0.06 (medium)
Colors
light oak· frame#D49B5Coff-white· print backgroundbright red· triangle red bars#D29354medium green· triangle green barsroyal blue· triangle blue barssunny yellow· triangle yellow bars and figure#D3C29Csolid black· triangle black barsmagenta purple· triangle purple/pink bars- Framed print orientationRectangular framed print is shown leaning upright against a vertical wood-paneled backboard and resting on a wooden cabinet surface; frame appears thin and light wood colored.
- 02
Product
A tall, triangular stacked-lattice print composed of colorful painted brushstroke bars arranged in horizontal tiers forming a pyramid; two small simplified human figures appear climbing the structure and a handwritten signature is visible in the lower right.
- Overall geometryTriangular pyramid composed of repeated horizontal tiers of intersecting slanted bars forming diamond and triangular openings; structure tapers from a wide base to a single apex.
1 region
x 0.12 · y 0.03 · w 0.76 · h 0.88 (high) - Brushstroke textureBars appear hand-painted with visible uneven paint coverage and slight texture variations along strokes, suggesting a painted or screenprint finish.
1 region
x 0.18 · y 0.10 · w 0.64 · h 0.70 (medium) - Left climber figureSmall stylized figure seated on a left-side bar, body filled solid green with a round red head and a single visible leg extending down.
1 region
x 0.18 · y 0.58 · w 0.07 · h 0.13 (high) - Right climber figureSmall stylized figure positioned on the right side near the upper tiers, body filled solid yellow with orange/red hand and foot accents and a small dark purple head.
1 region
x 0.70 · y 0.24 · w 0.12 · h 0.16 (high) - Signature text“Anne Laval.”
1 region
x 0.72 · y 0.92 · w 0.25 · h 0.06 (high) - Color arrangement detailIndividual horizontal and diagonal bars are solid blocks of different colors (red, yellow, green, blue, purple, black, pink, light blue) arranged in alternating patterns across tiers.
1 region
x 0.14 · y 0.12 · w 0.72 · h 0.76 (high) - BackgroundUniform pale cream background with no visible texture or framing elements.
Other
Centered, portrait-oriented studio shot of the print on a plain background; even diffuse lighting with minimal shadow and the artwork centered and upright in the frame.
- Shot compositionPrint is centered in a vertical frame with generous uniform margins of pale background around the artwork.
- LightingEven, soft lighting without harsh highlights or deep shadows across the image.
- Image qualityCrisp image with clear edges and visible paint texture; no visible noise or compression artifacts.
Colors
bright red· red bars#FC2403warm yellow· yellow bars and right figure body#FCC42Cmedium green· green bars and left figure body#028B4Croyal blue· blue bars#2C02C3vivid purple· purple bars#3303C3matte black· black barspale pink· pink barslight sky blue· light blue bars#9BB4EB- Overall geometryTriangular pyramid composed of repeated horizontal tiers of intersecting slanted bars forming diamond and triangular openings; structure tapers from a wide base to a single apex.
- 03
Product
Framed art print showing a stylized triangular climbing structure formed by intersecting colored bars and two small simplified human figures; artist signature visible in lower right corner of the print.
- Overall compositionSingle-sheet print centered inside a narrow natural wood frame; main artwork is a large isosceles-triangle/ladder form built from repeated colored straight bars that form horizontal tiers and V shapes filling most of the page center.
1 region
x 0.08 · y 0.04 · w 0.84 · h 0.92 (high) - FrameThin rectangular natural wood frame with visible wood grain and mitred corners; frame sits directly on the edge of the image on all four sides.
1 region
x 0.00 · y 0.00 · w 1.00 · h 1.00 (high) - Red angled barsBright red solid brushlike bars form the left outer diagonal of the triangular structure and appear as zigzag elements in middle tiers and top apex outline.
3 regions
x 0.10 · y 0.12 · w 0.20 · h 0.76 (high); x 0.32 · y 0.14 · w 0.40 · h 0.18 (medium); x 0.34 · y 0.40 · w 0.36 · h 0.10 (medium) - Green barsV-shaped dark green bars appear in several tiers, including the right outer diagonal and central X shapes connecting across the structure.
2 regions
x 0.72 · y 0.12 · w 0.16 · h 0.76 (high); x 0.40 · y 0.56 · w 0.20 · h 0.20 (medium) - Blue barsMedium blue and deep blue brushlike bars form several diagonal and V shapes within tiers, visible at multiple levels of the triangular structure.
2 regions
x 0.44 · y 0.06 · w 0.12 · h 0.12 (medium); x 0.36 · y 0.46 · w 0.28 · h 0.20 (medium) - Yellow barsBright yellow straight brushlike bars form several horizontal/diagonal tier lines and the right-side small climber figure is filled with yellow paint.
2 regions
x 0.22 · y 0.46 · w 0.56 · h 0.24 (high); x 0.72 · y 0.28 · w 0.14 · h 0.12 (medium) - Black barsSolid black short diagonal bars appear within lower and mid tiers as accent pieces forming triangular shapes.
2 regions
x 0.18 · y 0.68 · w 0.28 · h 0.16 (medium); x 0.58 · y 0.40 · w 0.18 · h 0.14 (medium) - Pink barsPale pink brush strokes form thin diagonal and horizontal bars in middle tiers creating softer V shapes.
1 region
x 0.30 · y 0.30 · w 0.36 · h 0.12 (medium) - Light blue barA single pale light-blue short diagonal is visible near the base left area connecting two lower-tier bars.
1 region
x 0.34 · y 0.78 · w 0.24 · h 0.12 (medium) - Left small climberSmall simplified human figure in green with a round red head positioned on the left mid-slope of the triangle, shown in a seated/climbing pose.
1 region
x 0.18 · y 0.56 · w 0.10 · h 0.18 (high) - Right small climberSmall simplified human figure in yellow with orange/red hands and feet and a dark head, positioned near the right mid-upper edge of the triangle with arms raised.
1 region
x 0.68 · y 0.24 · w 0.14 · h 0.12 (high) - Paper texture and backgroundOff-white paper or canvas background with a slightly warm cream tone, plain and unpatterned behind the artwork.
1 region
x 0.10 · y 0.06 · w 0.80 · h 0.88 (high) - Artist signature text“Anne Laval.”
1 region
x 0.66 · y 0.88 · w 0.28 · h 0.10 (high)
Other
Photo of the framed print shot straight on against a neutral background with soft even lighting and minimal shadow; image shows the full framed piece with slight vignette from the frame edges.
- Shot compositionCentered, front-on photograph of the framed print filling the frame vertically with a small white margin between print edge and wooden frame visible.
1 region
x 0.00 · y 0.00 · w 1.00 · h 1.00 (high) - Lighting and shadowsEven diffuse lighting with soft shadowing limited to subtle tonal variation on the paper and slight natural shadow inside the frame rabbet; no strong highlights or glare.
1 region
x 0.10 · y 0.06 · w 0.80 · h 0.88 (high) - Image qualityHigh-resolution, sharply focused photograph with visible brushstroke texture in painted bars and clear edges on frame and signature.
1 region
x 0.20 · y 0.12 · w 0.60 · h 0.76 (high)
Colors
bright red· red bars#ED2402deep green· dark green bars#02844Ccobalt blue· medium blue barsbright yellow· yellow bars and figure#F3C533jet black· black barspale pink· pale pink bars#F3B4C4pale sky blue· light blue baremerald green· green climber figure#0C945Alight wood brown· wood frame- Overall compositionSingle-sheet print centered inside a narrow natural wood frame; main artwork is a large isosceles-triangle/ladder form built from repeated colored straight bars that form horizontal tiers and V shapes filling most of the page center.