Giant Art
Canned Soup Art Print Andy Warhol
This item is a framed art print reproduction of Andy Warhol's 1962 Campbell's Soup Cans series, depicting a single tomato soup can label. It features matte, high-quality paper mounted on an MDF frame and includes hanging hardware for immediate wall display. The print measures 18 by 25 inches (45.75 x 63.5 cm) and is manufactured in Canada.
- Material
- Matte high-quality paper on MDF frame
- Style
- modern, eclectic
- Category
- Arts & Entertainment > Hobbies & Creative Arts > Arts & Crafts
Specifications
Framed art print of Andy Warhol's iconic Campbell's Soup Cans, a pop art masterpiece from 1962.
Framed, ready-to-hang work of art. Matte, high-quality paper on MDF frame. Easy hanging. Made in Canada. Dimensions: 18" x 25" (45.75 x 63.5 cm).
- Material
- Matte high-quality paper on MDF frame
- Secondary
- mdf
- Style
- modern, eclectic
- Occasion
- gift
- Gender
- unisex
- Condition
- new
- Category
- Arts & Entertainment > Hobbies & Creative Arts > Arts & Crafts
Additional Attributes
- pop art
- framed
- ready-to-hang
- matte high-quality paper
- MDF frame
- easy hanging
- Made in Canada
- 18" x 25"
- iconic
- eclectic
- contemporary
Product Insights
The Giant Art Canned Soup Art Print reproduces Andy Warhol's critique of mass production and consumerism, connecting a home to the Pop Art institutional canon while provoking debate over artistic skill and the definition of art through Warhol's deliberate screen printing technique that mirrors mass production; this conversation piece carries the authenticity debates from Warhol's limited editions but provides broader access at an affordable price, though the single-can reproduction retains the mass-production commentary yet loses the impact of Warhol's original 32-can installation; the print comes ready to hang with a MDF frame and water-clear acrylic glazing, saving custom framing costs, and is styled for display on neutral walls with red accents and substantial furniture.
Verified claims
- Social commentary
- Reproduces Warhol's critique of mass production and consumerism.
- Museum status
- Reproduces a home-sized version of a work conceived for gallery walls and institutional collections, connecting a room to Pop Art's canon and giving it cultural conversation-starting weight.
- Technique and skill
- Warhol's use of screen printing to turn everyday objects into art fuels debate over whether the soup-can prints are 'real' art.
- Conceptual meaning
- Warhol's repeated soup-can imagery critiques consumer culture and turns everyday objects into art.
- Conversation starter
- A cultural conversation starter that turns a decorative piece into a social anchor in dining areas or living rooms.
- Screen printing technique
- Warhol used screen printing to turn everyday objects like soup cans into art, tying the technique to his commentary on mass production.
- Styling
- Display on a white or warm-grey wall with a single red accent and substantial materials like walnut, top-grain leather, or brushed metal to suit a modern or contemporary room.
- Placement
- Hang solo centered 57-60 inches high on a narrow wall, or 4-6 inches above furniture 27-45 inches wide.
- Frame material
- Matte paper print on MDF frame with water-clear, shatter-resistant acrylic glazing that is half the weight of glass.
- Installation
- Arrives ready to hang with pre-installed hanging hardware, saving custom framing costs for the non-standard 18 x 25 in. size.
- Display context
- Display on white walls above walnut or metal furniture in dining or living rooms, with a red accent.
- Glazing
- Acrylic glazing is water-clear without the green tint of glass.
- Backing protection
- Sealed backing protects the print from dust and humidity.
- Scale comparison
- Framed 18x25 inch reproduction has about half the area of Warhol's original screenprint sheet.
- Proportion
- Width fits half to three-quarters of consoles 27–45 inches wide, suitable as a solo statement.
- Setup convenience
- Matte high-quality paper on an MDF frame and pre-installed hanging hardware make this made-in-Canada, non-standard 18 x 25 in. print ready to hang without custom framing.
- Depicted cans
- The print depicts a single tomato soup can label from Warhol's 1962 Campbell's Soup Cans series.
- Orientation
- The print is vertically oriented at 18 inches wide by 25 inches high.
- Frame finish
- The MDF frame has a black finish that sits neutrally with any decor.
- Glazing weight
- The acrylic glazing weighs about half as much as glass, making the 18x25-inch framed print lighter to hang and less straining on wall hooks.
- Glazing safety
- The acrylic glazing will not shatter into dangerous shards if the frame falls, making it safer for homes with children or pets.
- Humidity sensitivity
- A paper print on an MDF frame is not ideal for a steamy bathroom or a spot right beside the stove; paper can cockle or warp, and both paper and MDF are prone to mildew under prolonged moisture.
- Drywall hanging
- A frame this size can hang on a standard drywall picture hook, though hollow-wall or heavier setups are safer with anchors, which are not included.
Product record
- Title
- Canned Soup Art Print Andy Warhol
- Brand
- Giant Art
- Price
- 298 CAD
- Availability
- In stock
Buying Guide
1 comparison · 10 sourcesUses
Hanging a pop-art print in a modern room
This framed Andy Warhol canned soup print is ready to hang, so it can go straight onto the wall of a living room, office, or other modern space. Its black frame and white mat present the iconic red-and-white label design as a finished piece, and the merchant describes the eclectic artwork as adding a touch of history to modern decor. A hanging wire and D-ring on the back support easy mounting.[1,2,3]
Product comparison
Compared within this brand.
| Canned Soup Art Print Andy Warhol: Choose this if you want an iconic Pop Art piece that, per the merchant, adds a touch of history to modern decor: a framed, ready-to-hang print of a red-and-white Campbell's tomato soup can label in a slim black frame with a white mat. It measures 18 x 25 inches (45.75 x 63.5 cm), is printed on matte paper over an MDF frame with a hanging wire for easy hanging, and is made in Canada. Note that it is a stylized print—fine print details on the label are not legible—so it suits those drawn to the graphic look rather than fine typography.[1,2,3] | 100 Cans Art Print Andy Warhol: Choose this if you want a framed, ready-to-hang reproduction of Andy Warhol's iconic 1962 100 Cans — a dense grid of red-and-white Campbell's soup cans — in the 24 by 30 inch (61 by 76 cm) red variant. It arrives with a metal hanging wire on D-ring hardware for easy display, and its pigment giclée printing delivers grain-free clarity with 75-plus-year fade resistance per the retailer. Note that buyers report water behind glass can permanently alter the print, so keep it away from moisture, and it's made of matte paper and MDF.[4,5,6] | Marilyn Monroe Art Print Andy Warhol: Choose this if you want a framed, ready-to-hang pop-art portrait for a 24 by 24 inch (61 x 61 cm) wall statement: it revamps one of Andy Warhol's 1967 Marilyn Monroe screen prints in blue, yellow, and violet tones, with bold solid color fields and high-contrast black detailing. It arrives framed in black with a narrow white mat, printed on matte paper over an MDF frame with a hanging wire, and Simons describes hanging as easy. Note the construction is paper on MDF rather than a premium framing material, and the exact shade rendering (pink or magenta face, teal or cyan background) varies between the merchant's description and image analysis.[7,8,9,10] |
Image Analysis
3 images- 01
Product
A framed art print of a stylized soup can label is mounted on a wall; visible elements include a black rectangular frame, white mat, and a vertically oriented print depicting a red-and-white canned soup label with legible headline text and a central gold medallion.
- Framed print geometryRectangular vertical frame with a slim black border and a white inner mat surrounding the print; the frame hangs on the wall and is photographed straight-on with slight top shadow.
1 region
x 0.44 · y 0.08 · w 0.31 · h 0.56 (high) - Print compositionVertically oriented print shows a single large depiction of a soup can occupying most of the visible print area, with a red upper field, white lower field, and a circular gold medallion at the center between the fields.
1 region
x 0.49 · y 0.12 · w 0.24 · h 0.48 (high) - Can lid detailIllustrated can lid at the very top of the can image with concentric ring lines in a gray tone.
1 region
x 0.49 · y 0.10 · w 0.24 · h 0.04 (high) - Central medallionCircular gold-colored medallion printed near the horizontal midpoint separating the red and white fields of the label; fine printed detail inside the medallion is visible but not legible at this resolution.
1 region
x 0.59 · y 0.20 · w 0.06 · h 0.06 (high) - Lower can bandPrinted decorative band and the word 'SOUP' appear near the bottom of the can image with outlined lettering and small decorative marks along the bottom rim.
1 region
x 0.49 · y 0.46 · w 0.24 · h 0.08 (high) - Small illegible printThere is a block of small fine-print inside and around the medallion and along decorative bands that is visible but too small to read at this resolution.Partial
1 region
x 0.55 · y 0.18 · w 0.14 · h 0.20 (medium) - Headline text - Campbell's“Campbell's”
1 region
x 0.52 · y 0.14 · w 0.20 · h 0.08 (high) - Subhead text - CONDENSED“CONDENSED”
1 region
x 0.56 · y 0.22 · w 0.12 · h 0.03 (high) - Product type text - TOMATO“TOMATO”
1 region
x 0.53 · y 0.27 · w 0.20 · h 0.09 (high) - Bottom text - SOUP“SOUP”
1 region
x 0.53 · y 0.46 · w 0.20 · h 0.06 (high)
Other
Interior lifestyle staging shows a beige textured wall with a sheer white curtain on the left; soft directional lighting casts minimal shadows and the photograph is vertically composed with the framed print placed in the upper right quadrant.
- Background wallSmooth beige wall with subtle texture filling most of the image area surrounding the framed print.
1 region
x 0.10 · y 0.00 · w 0.80 · h 1.00 (high) - Sheer curtain propWhite sheer curtain occupies the left edge of the image, showing vertical folds and soft light transmission.
1 region
x 0.00 · y 0.00 · w 0.24 · h 1.00 (high) - Shot compositionVertical lifestyle shot with the framed print positioned in the right half and negative space below and to the right, showing the print as a wall-mounted decor element.
- Lighting and shadowSoft even lighting from the left creates gentle highlights on the curtain and a faint shadow along the right inner edge of the frame.
Colors
matte black· frame borderoff-white· mat board / print background#EAE3E4medium red· label red field#9A2A2Cbright white· label white field#EAE3E4metallic gold· medallion#9B9196light gray· can lid illustration- Framed print geometryRectangular vertical frame with a slim black border and a white inner mat surrounding the print; the frame hangs on the wall and is photographed straight-on with slight top shadow.
- 02
Product
Close-up views of a framed art print showing the front lower-right mitered black frame, white mat and printed artwork edge, plus the rear black backing with a metal D-ring and twisted silver hanging wire.
- Front frame cornerMitered lower-right corner of a rectangular frame with a flat, slightly beveled outer face and a visible 45-degree joint. Frame finish appears matte and uniformly dark.
1 region
x 0.60 · y 0.06 · w 0.37 · h 0.38 (high) - White mat and print borderInset white mat surrounding the print with a narrow shadow gap where the mat meets the print; a portion of the printed artwork (letters 'UP' and the rounded lower rim of a can illustration) is visible above the mat.
1 region
x 0.02 · y 0.02 · w 0.58 · h 0.40 (high) - Visible print text fragment“UP”
1 region
x 0.08 · y 0.04 · w 0.24 · h 0.18 (high) - Rear backing boardRear face shows a smooth flat black backing panel stretched to the frame edges with slightly visible folded corners at the frame rabbet.
1 region
x 0.02 · y 0.52 · w 0.96 · h 0.44 (high) - Hanging hardwareSmall metal D-ring or bracket screwed to the right side of the backing with a twisted silver hanging wire attached and running horizontally toward the left across the backing.
2 regions
x 0.70 · y 0.66 · w 0.22 · h 0.12 (high); x 0.12 · y 0.64 · w 0.56 · h 0.10 (high)
Other
Two vertically stacked crop views showing front detail above and rear detail below; textured light-colored wall background and soft directional lighting produce subtle shadows and highlights.
- Two-panel compositionImage composed of two stacked photographs: the top panel shows a front corner close-up, the bottom panel shows the rear backing and hanging hardware; a thin white divider separates the panels.
1 region
x 0.00 · y 0.00 · w 1.00 · h 1.00 (high) - Wall and shadowsLight-colored textured wall visible to the right of the frame and behind the rear view, with soft shadowing cast by the frame edges.
1 region
x 0.82 · y 0.02 · w 0.16 · h 0.96 (high) - Image crop and focusPhotographs are tightly cropped to the frame edges; edges of the artwork and frame extend to the image bounds in several places; focus is sharp on the frame and hardware, with minimal motion blur.
Colors
matte black· frame outer face#1D1614white· mat (border)silver metallic· hanging wireburnt orange· printed lettering- Front frame cornerMitered lower-right corner of a rectangular frame with a flat, slightly beveled outer face and a visible 45-degree joint. Frame finish appears matte and uniformly dark.
- 03
Product
Four framed art prints hung on a pale wall: a pop-portrait (top left), a Campbell's tomato soup can poster (top right), a dense grid of small soup-can images (middle left), and a floral print with purple flowers (bottom right). All prints are shown within black picture frames with white mats.
- Top-left portrait printSquare print showing a stylized female portrait with yellow hair, a pink/magenta face, teal background and red lips, mounted in a thin black frame with a white mat.
1 region
x 0.29 · y 0.03 · w 0.36 · h 0.25 (high) - Top-right Campbell's posterRectangular print depicting a single Campbell's tomato soup can graphic with a red upper band and white lower band, mounted in a thin black frame with a white mat.
1 region
x 0.67 · y 0.09 · w 0.21 · h 0.31 (high) - Campbell's text“Campbell's”
1 region
x 0.71 · y 0.15 · w 0.16 · h 0.08 (high) - Can label text line 1“CONDENSED”
1 region
x 0.71 · y 0.20 · w 0.13 · h 0.04 (high) - Can label text line 2“TOMATO”
1 region
x 0.72 · y 0.26 · w 0.12 · h 0.05 (high) - Can label text line 3“SOUP”
1 region
x 0.72 · y 0.31 · w 0.12 · h 0.05 (high) - Middle-left grid printRectangular print containing a dense grid of small, repeated red-and-white soup-can images arranged in rows inside a white mat and thin black frame.
1 region
x 0.24 · y 0.33 · w 0.33 · h 0.36 (high) - Bottom-right floral printSquare/near-square print showing a high-contrast black-and-white background with four large flat purple flower shapes overlaid, mounted in a thin black frame with a white mat and placed leaning on a low white bench surface.
1 region
x 0.62 · y 0.56 · w 0.29 · h 0.31 (high) - Frames and matsAll visible prints use thin black frames with a narrow black outer border and white inner mats creating a consistent framed appearance.
Other
Softly lit interior scene with sheer white curtains at left, a pale neutral wall, a low white rectangular bench supporting the lower-right framed print, and soft floor shadows. Four framed prints form a loose gallery arrangement on the wall.
- Curtain and window areaSheer white floor-length curtains along the left edge with diffuse natural light filtering through and soft shadows cast on the floor.
1 region
x 0.00 · y 0.00 · w 0.17 · h 1.00 (high) - Bench surfaceLow white rectangular bench or plinth positioned near the bottom right supporting the bottom-right framed print which leans against the wall.
1 region
x 0.49 · y 0.72 · w 0.50 · h 0.20 (high) - Shot compositionVertical lifestyle composition showing a wall gallery of four framed prints with negative space around them and soft even lighting.
Colors
matte black· framesclean white· mats and print backgrounds#ECE5E2campbell red· Campbell's can red band#9B2B34soft teal· Marilyn background#749C9Abright yellow· Marilyn hair#CC9302vivid purple· Floral print flowers#6D469A- Top-left portrait printSquare print showing a stylized female portrait with yellow hair, a pink/magenta face, teal background and red lips, mounted in a thin black frame with a white mat.
Documents & Data
Reddit Insights
6 threads · r/pics, r/bestof, r/somethingimade, r/ContemporaryArt, r/explainlikeimfive, r/TrueUnpopularOpinionReddit's overall sentiment is mixed: many appreciate Warhol's conceptual breakthrough and commentary on consumerism, while others dismiss his work as talentless and overhyped.
Discussions show a split between those who value the idea behind the art and those who see it as lacking traditional skill; the negative views are more vocal in some threads.
Themes
Use Cases
- Home decoration and personal collection
- Conversation starter about modern art concepts
Watch Out For
Compared To
vs Rothko
Both are modern artists whose work is conceptually driven; Rothko's pieces are admired for emotional depth when seen in person.
vs Picasso
Compared to Picasso, Warhol is seen as having less traditional talent but more cultural commentary.
Source Threads
Redditor plans to recreate Warhol's 32 soup cans series
Completely agree. This was done when I was in college and access to proper lighting and studio equipment was out of the question. I am hoping to redo this series and expand it to the 32 original soups done by Andy Warhol and in a proper studio. Just recently launched a Kickstarter to do it, so we'll see.
u/serlindsipityr/picsView thread →
Explanation of Warhol's screen printing and mass production theme
Thank you to /u/Permanentcuntface for being the only one to say that it's a screen print, not a painting. I think that's an important detail that adds to the piece as, like the soup, it's a medium that can be manufactured in high quantities. Really ties in to the theme of mass production in Warhol's work and even the name of his studio, the Factory.
u/thebitchboysr/bestofView thread →
Critique of Warhol's artistic effort and use of assistants
Crazy part is you're unironically still putting in more effort than he did. Most of his work was screen printed by other people lmao.
u/lukewarmcaprisunr/somethingimadeView thread →
Personal story about owning and damaging a Warhol soup can print
Set of ten prints were produced in 250 portfolios. Quite expensive these days. I had a Scotch Broth only for my son to destroy it by spraying a water pistol on the glass which soaked up and altered the colour. I remind him of this to this day 23 years later.
u/MarlythAvantguarddogr/ContemporaryArtView thread →
Interpretation of Warhol's repetition as reflection of the American Dream
repetition en masse reflected what the american dream had become- perfect, uniform, and mass produced. one could argue that it was more about finding art in everyday objects instead of large, elaborate compositions. in short- the limitless nature of screenprinting and the simplicity of the subject chosen was a new concept back when the art instituions only recognized a certain type of art.
u/byrdir/explainlikeimfiveView thread →
Defense of Warhol as a cultural artist rather than a visual one
Warhol was not a visual artist primary, but a cultural artist. The whole point was that his art was stupid, for lack of a better word, yet people went crazy for it. It was a commentary on consumerist culture, he would print hundreds of soup cans and people would dish out thousands of dollars for an overproduced product.
u/Ok-Neck5759r/TrueUnpopularOpinionView thread →